1000

I have a few things to talk about here, confluences, if you will. This is an important day in several ways.

This is my 1000th post for this blog. 

One thousand. Averaging, I think, 3 or 4 thousand words each, that’s a lot of wordage. I don’t even want to think about what that might be had I been paid for it.

There are a handful here I thought might be worth marketing, but that’s not why I put the Distal Muse up. I did it this way to avoid being told what not to say (or to say) and because, frankly, this is all personal, which is to say entirely my bullshit.

Oh, not that what I’ve written here is worthless. (I hope.) That’s not what I mean. But a lot of it is simply my viewpoint. My opinion. Take it with a block of salt. I have endeavored to be factual, to base my meanderings on substance, logic, rational apprehensions of what I see. Doubtless some posts suffered from the anger, dismay, or simple lack of comprehension of a given subject at the time. I’ve considered going back and revising where that might make what I said more in tune with my desire for offering a useful view, but two things dissuaded me.

One, I think leaving it as is serves as an interesting look at the evolution of thought and feeling over time (interesting to who I leave to the reader).

Secondly, one thousand posts would be a big undertaking.

I have other things to write.

If there is any common theme running through all this, it may be that the world is always more complex than it seems and that if we let our emotions run riot we simply cannot see that complexity, almost always to our detriment.

How well this might have come across, I don’t know. A lot of these posts are indulgences. Me venting, but just as often trying to work through something I don’t understand. I actually don’t mind terribly much if I got something wrong (well, I do but not excessively) as long as I sparked dialogue. Somewhere. Over something.

If a critic were to select one or two of these to judge me by, they would doubtless paint a vivid, one-dimensional picture of someone utterly dismissible, wrongheaded, and politically biased. Well, I am politically biased—I believe politics should be solely used for the betterment of everyone’s situation, and that if in the pursuit of that, someone decides that some must suffer in order for others to thrive, then they likely have it wrong somewhere. That, or they’re a sociopath. 

(Mind the way I phrased that. If someone must suffer in order for others not to. To my mind, there are those in the world who ought to suffer, just not to serve that particular syllogism.)

I have also talked a great deal about art. Another bias. I believe that without art, we are nothing. Mammals breeding and eating, contributing nothing beyond the recycling of organic resources. Art—music, literature, optical, sculpture, architecture, and all combinations thereof—is our expression of everything worthwhile. Art comes out of love. If there is no love, there is no art, and without art we admit to being blind and deaf to love.

That’s one reason I have no patience with those who discount it, censor it, betray it, even destroy it. Worse still (because they have a notion of it) those who see it as nothing but a commodity. 

1000 posts…

It is also my birthday. I am 67 today. I cannot express how odd that feels to say. I do not feel 67, but then, I’m not sure what 67 is supposed to feel like. I don’t, in this case, feel much different than I did at, say, 47. Well, I sleep a bit more. I predict more naps in my future.

I am also retiring today. The day job, that is. I am officially departing from Left Bank Books, at least on a day-to-day basis. 

About that job.

I cannot begin to convey the roil of emotions leading up to this. Left Bank Books is the Other Great Job I’ve had. I feel my work-life is now conveniently book-ended by two marvelous experiences, different but equally wonderful. I’ve been working there for nearly decade and I cannot find a thing to criticize about them, my experiences there, or the value of those ten years. I wish at times I had been fortunate enough to join them a decade earlier. My coming to work for Kris was unconventional, to say the least, but it worked out well, and I can say without reservation that it has been one of the best experiences of my life. Not being there five days a week, in the thick of it, dealing with something I love (books) and working with some of the brightest, finest people I’ve ever known will take more than a little adjustment.

It was an accidental confluence. Back in the 2000s, as I’ve written about in this blog, I was involved with the Missouri Center for the Book. For a few years, as unlikely as it might seem, I was president. During my tenure we had the opportunity to launch a state poet laureate program. I recruited outside the board to find people I thought capable of doing the selection and preparatory work. That was my introduction to Kris, then co-owner (now sole owner) of Left Bank Books. I invited her to participate. It was one of the better ideas I had then and she did excellent service.

I was soon rotated off the board, but Kris remained for a time. Around then, the dayjob I had then disappeared. I worked at a photolab which was overtaken by the change from analog to digital. The job vanished and I was unemployed. I honestly wasn’t sure what I would do. I continued writing, hoping to land that Big Publishing Contract, but in hindsight it wasn’t likely to happen. 

Then Kris invited me to do contract work for Left Bank Books. They had a second location then, in downtown St. Louis. Sales were flat. She asked me to see what I might be able to do to raise their profile. Thus began a couple of years of going around, talking to people in downtown St. Louis, letting businesses know we were there, and it seemed to have some effect.

At some point, I formally joined the staff and became eventually a full time bookseller. Over the years, I’ve taken on managing the used books department and vetting consignment titles from independently published authors. I’ve worked a lot of events, met an amazing array of people, and have just generally experienced one of the best times in my working life.

Thank you, Kris. I did not expect the confidence you placed in me. And thank you Jay, for almost all that time co-owner. The trust you both placed in me has seen me through what in some respects has been a very difficult ten years.

And thank you, everyone I have worked with this past decade. It has been extraordinary. The conversations alone have been amazing. 

But as I said above, I have things to write, and I am acting on my limits. The last almost two years took a toll. COVID did a number on me, even though I did not get sick with it. 

Going forward, I once more have no idea what may happen. I have some ideas what I would like to see happen, but I’ve learned not to plan, at least not too precisely. 

We’d like to travel more.

I want to make some music.

Photography has never not been something I do.

And this…thing…this blog (unfortunate name for something that has become so important on so many levels for so many people) that I thought might be useful in promoting my work. Whether it has or not, I don’t know. But it has provided a platform for what may often be nothing more than the babble of my backbrain needing a release. It has helped me organize my thoughts, codify my beliefs (or lack thereof), give notice of my sentiments. It serves as a piece of history in a very modest way.

So, the next thing is upon us. I feel grateful. I have been able to do much of what I wanted to do. Not, perhaps, the way I wanted to do it, but still. I intend to continue doing. I’m not finished. And I have ideas…

One Thousand posts. And tomorrow starts a new era.

I hope you’ll stick around to see what happens.

It Was Twenty Years Ago…

…but not today. This year has been hard on keeping track of things, especially dates. Twenty years ago this past June was the release of my first novel, Compass Reach.

 

 

I missed the anniversary. Here it is, almost August (probably will be August by the time I post this) and I forgot to mark the occasion. But, better late than, as they say.

Twenty years.

That novel ran a very twisty path to publication. There was a draft of it complete before I went to Clarion in 1988. The story itself had evolved from a number of sources and ideas over the previous few years until it manifested in the (very rough) first example. So, let’s say I had it in some semblance of novel form in 1987. It was not published till 2001.

Why did it take so long?

Well, a lot has to do with not knowing how the game is played. But. Let me tell you the story of the story.

No surprise to anyone, I grew up loving science fiction, and my favorite part of it was space opera. So when I decided to write the stuff, that’s where I wanted to go. The vistas, the idea of traveling from star to star, the possibilities of all those alien worlds…no matter how practically absurd it might be, I could not get away from it. I loved it. I wanted it. Yes, a starship is a hi-tech Magic Carpet and the captain a repurposed Sinbad. Between 1981 and 1984, I developed the background for what became the Secant. In geometry, a secant is a straight line that cuts a curve in two or more parts. A metaphor, if you will, for space travel. There are other definitions having to do with angles and such and I ended up creating a logo for the series which you can find on the splash page of this website and inside the second two Secantis novels (Metal of Night and Peace and Memory). Yes, I had ambitions. I developed a scheme to write a series of novels set within this universe but few if any would share characters, what has become known as a mosaic universe. (My one exception so far is a kind of loose cannon named Sean Merrick, for reasons which predate even my first attempts at becoming a professional writer.) C.J. Cherryh did this kind of thing and I was a big fan. A great idea, I thought. Especially when you didn’t want to write a straight series with the same main characters.

I created a star map, plotted out distances, made sketches of the various settled worlds, and so forth.  But I needed a story.

The thing that always piqued my curiosity about all these great space epics, even Star Trek, was—how do they pay for all that? I rarely ever found discussion of the economics of interstellar systems. It was just a given that we could build all this stuff. But the economics always felt…incomplete.

So I set myself to study economics (a little) and see if I could answer that question.

It led me to some strange places, one of which resulted in the creation of the Freeriders. Interstellar hobos, to be crude. At some point that became my focus. Then the structure of the polities involved—the Pan Humana and the Commonwealth Republic—evolved from the tension between differing ideas of what inform value and worth. In the former case, the idea of the kind of ownership that results in class systems, in the latter a kind of work-in-progress that is largely if not wholly economically egalitarian, and then all the questions around control, distribution, trade, and the reasons for Doing Things. The basic economics of interstellar civilizations. Rarely has there been a more pointed example of when to leave your research off the page.

I won’t pretend to remember each step, but at some point I started writing, and that is generally how I flesh out ideas. Dive in. I probably had a draft of Compass Reach some time in 1986. I rewrote it a time or two, then did an experiment in revision which entailed a friend who is a first-rate reader and editor spending a long weekend with us and the three of us doing marathon revisions.

That was just before I went to Clarion.

Upon returning, I took a look at the novel and decided, no, this won’t do. Structurally, it was sound, but the writing…no. Just no. But I didn’t tackle it immediately. I wrote short stories. And started selling.

My friend and colleague Nicola Griffith got her first agent somewhere around 1991. I pulled Compass Reach out of the drawer and did another rewrite and, with an introduction, sent it to her agent.  She in turn requested a revision. When I completed it, I sent it back, and our next couple of interactions showed me I could not work with her.

I did one more revision and then went hunting agents. I signed to Writers House around 1995, based mainly on my short fiction. By then I had written Metal of Night and was most of the way through Peace & Memory. The universe was feeling very real by then. I made sketches for a couple more novels and had begun writing short stories set in the Secant.

I thought I had sold the trilogy to White Wolf. Well, I had. I’d even been paid. But they melted down and handed the three books back to me in 1998. In the meantime, Writers House got me the contract to do the three Asimov novels I wrote. It was a rocky deal, but I was desperate at that point to publish a novel, any novel. I felt I was working at a disadvantage because all I’d published to date was short fiction, and I was beginning to realize that publishing had changed and that a track record in short fiction was becoming less and less relevant to then publishing a novel.

A few things happened over the course of a year or so. I nailed down the first robot novel, I lost my agent, started a new job, and then was approached by a small press about the Secantis Sequence. Meisha Merlin finally took the three novels then completed.

Worldcon 2001 was in Chicago. I met the art director for Meisha Merlin, who asked me what I wanted to see on the cover. That night in our hotel room, I sketched a concept. Originally, there were five people in the picture, but I was asked if they could get away with three. (Apparently the price goes up per additional person.) What became the cover for Compass Reach is pretty much what I drew.

I signed with a new agent, Virginia Kidd.

I thought I was on my way.

It’s easy to complain about the disappointments in publishing, but it’s also boring. Except for some colleagues, no one really cares. Meisha Merlin published the three novels and then went out of business. The books were essentially cast adrift. There is a fourth completed novel and we were making plans to publish all the short stories in a single volume. I had—have—plans to write a direct sequel to Peace & Memory. Other books have dragged me from the Secant.

Twenty years ago, though, I saw my first novel out in the wild. It is an impossible feeling to describe. I was graced with a wonderful introduction by Nicola Griffith (Jack McDevitt and James Morrow did intros for the next two respectively) and the damn thing got shortlisted for the Phillip K. Dick Award. It was a high point in my career.

I would love to find a publisher to reissue them and possibly entertain the idea of publishing new ones. It probably wouldn’t be too difficult to get back into it. In fact, I have a novella forthcoming from Analog set in the Secant. It’s a great place to set stories, although I’ve written fewer of them than I thought I would.

Twenty years.

 

_________________________________________________________________

 

Copies of all three Secantis novels are available from Left Bank Books.  You can, if you request it, get signed copies.

 

Another New Look

I do this from time to time because (a) I’m bored, (b) I’m curious, (c) something breaks, or (d) I want people to think I’m engaged, paying attention, and updating because, you know, I’m trying to be current or relevant or…

Yeah, whatever. I’m never sure what it is I’m trying to accomplish when I switch themes.  Probably the equivalent of Spring Cleaning, only not as physical.

I any event, I’ve been doing the usual gaping in dismay at the national (and state) political scene, trying to find something to say that might make it all fit an understandable set of parameters, and the last couple of posts I wrote about it were attempts at explaining larger forces. That’s my way of dealing with the world, trying to comprehend, describe, and thereby put it in some form that allows me to make sense of it.

This time? I’m watching the Republican Party turn itself inside out and for the life of me it doesn’t make any sense. I mean, they’re trying to gain leverage by aligning themselves with a proven liar, a mediocre businessman, a berserker, an anti-intellectual, a boor, a sexual predator, a supremacist, someone with the verbal skills of a third-grader who has no sense of history and seems distracted by bright and shiny with no regard for worth and substance. I cannot help but think he’s got a black book on these people that puts Nixon’s enemies list to shame. But then, I look at the last four years and can’t help but think that, even if he had, he’s just not capable of using it. Not well.

So my best response usually is, WTF?

So far, Biden is doing exactly the right thing. The job. He’s not getting drawn into making comparisons, denying allegations that have no substance, responding to the kind of shallow gotcha polemics that can do nothing but make everyone look stupid. He’s not rising to the bait. And his spokesperson, Psaki? Brilliant. If they keep to this, at some point the GOP will finally crawl up its own rectum and suffocate on the nonsense.

One point for all you folks who may be on the fence about the GOP: McConnell has declared his intention to follow the same program he did with Obama—block everything he can, no matter what. That means the GOP will do nothing. Nothing will be accomplished that they can take any credit for.

In his case (McConnell’s), I believe this is because he is frankly not smart enough to know when he’s punching himself—and his constituency—in the face.

All in all, we have reached a point where there is, in fact, nothing left to say concerning the post mortem of the previous administration.  I can think of one or two things that came out of it all that have some merit, none of which I can honestly attribute to any kind of studied comprehension on the part of the ex-president:  We’ve been talking for decades about China and the need to address the violations in trade practices and so forth and, ill-aimed as it may have been, that shot was fired. From what I’ve seen so far, the Biden administration is not rolling back aspects of that which may do some good. It needed to happen at some point. It was a start. There were one or two moves in the Middle East that were not horrible and something can be built on it, but moving the embassy to Jerusalem was perhaps ill-advised. It may, however, have unforeseen positive consequences. It was a bone thrown to the far right of the party.

Not much. Certainly not enough to justify the tidal waves of stupidity that flooded the country from twitter and the administrative butchering our institutions received. Not enough to make the level of civic ill-ease worthwhile.

Not enough to forgive the unparalleled wreck they made of our pandemic response. And before anyone shouts “But this was unprecedented!” let me say, yes, but the previous administration had put together a response playbook which was basically thrown in the trash. Work done by even earlier administrations in anticipation of something like this was ignored as well. Preparatory groundwork was laboriously done which these people didn’t understand, wouldn’t spend the money on, and therefore faced a challenge which they subsequently mishandled. It’s amazing to me more people aren’t dead. But the damage is ongoing because the final injury done was to validate stupidity. People who feel empowered to dismiss fact and science and reason because they were told not to trust anything coming from anywhere but the president (even though very little actually came from him) will continue to thwart efforts to contain this epidemic. We may not achieve the kind of herd immunity we need or could have, not because we don’t know how but because people refuse to cooperate simply because.

Well. Now that I’ve gotten that off my chest.

I haven’t been writing fiction lately. I have a novella in the queue at Analog, but I don’t know when that will be coming out. I’ve got a few short stories that are making the rounds. And I’m shopping for a new agent. I’ve been here before, but I’ve never been here when I’ve been this tired. I have one story I’ve been laboring at for months now. Partly, this is a time issue. Partly, this is a recovery issue. The holiday season just past taxed me to my limit physically. I’ll write about that some other time. I’m 66. I don’t bounce back like I used to, although to be honest I think I’m doing pretty well for a 66-year-old. I still get the gym, I still put in a full day’s work, I’m still alert. But I’m no marine. Partly, also, there’s a certain amount of discouragement attaching to all this.

I put my photography galleries online for the purpose of selling my visual work, but to date I’ve gotten very thin response. I’m not sure if people realize they can buy the work available.  I’ll be revisiting that whole thing in the coming months.

I’ve had both my shots now. I’m officially vaccinated. We were lucky not to have gotten ill. It will be nice to be able to go out again, but I doubt anything will be normal for a while.

My father is in a home. None of us wanted this to happen, but it did. He’s 90. Mom is coping as best she can and we’ve been visiting her more regularly. Things are murky in that area. No matter what, nothing will go back to what it once was.  Seems to be the theme of the last few years.

This has been a catch-up kind of post. New look, a state-of-the-union statement, so to speak. I may be writing more personal reports in the coming year. Stay tuned. And I hope all is going okay with you.

We Have Toys

Finally, after two trips into the wilds of computer land, I have my new scanner, all set up and ready to go. Below it my first scanned image.

 

I will get better at this, once I learn the various buttons on the new ‘chine. This is an old image, a 4 X 5 negative. To my pleasant amazement, the detail is still astounding in these things.

So in the space of a week, I have the ability now to once more make use of my (huge) library of negatives (only 50 + years of photography), and I have sold a new story—a novella, no less—to Analog. Not a bad start of a year that could have turned out a lot worse.

Some Thoughts and A Photograph or Two

I’ve been on vacation this week. I intended to use the time to do a lot of cleaning up. It’s not like there are many places to go lately. And I have a basement in dire need of cleaning.

Well, I did some cleaning—more than I probably expected to—and took care of a couple of necessary chores and generally slept more than I usually do. I wish I had gotten more done, but I’m not beating myself up about it.

Oh, here’s a picture:

Something nice, pleasant. I’m not sure all of this post will be, so I’m offering “refreshment” along the way.

Where was I?

Oh, yes. I listened to some of the Barrett hearings and I heard pretty much what I expected to hear. She ducked questions adroitly, presented a façade of judicial competence (knowing all the right terms, etc), and did nothing to outrage the “wrong” people, namely the Republicans who are going to rubber-stamp her appointment. For better or worse, she’s it.

But it occurred to me that Congress really ought to stop asking technical questions. It’s unlikely a nominee will get this far and be unable to spar over legalistic questions. I think a more fundamental set of questions ought to be asked.  Do you believe the Earth is round? How old is the universe? Do you believe miracles are more efficacious than science? Is climate change real? Do you believe there are innately inferior groups of human beings? Do you believe there is evidence supporting evolution?  I would like to hear answers to those kinds of questions. We aren’t going to get the kind of answers on which to base a valid judgment on someone’s suitability to be appointed in the legal realm. One reason is, we test assumptions all the time in courts, that what a trial is. So asking someone how they’ll rule on this or that is kind of ridiculous.

But seeing how someone responds to questions about the world and reality, now, that would be more telling.  It’s possible a Flat-Earther might make a perfectly fine jurist, but the odds are that someone who is that disconnected from the real world has some serious disconnects that would render their judgments…well, a bit questionable, simply because they do not on a very fundamental level share a common perception and understanding of the world in which we live.

Amy Coney Barrett doesn’t accept anthropogenic climate change. Either because of political biases or because she doesn’t pay attention to what’s happening on the planet or she believes it doesn’t matter because the Rapture is coming soon so why waste time understanding something that will disappear with everything else in short order. I’m being a bit facetious, but only a bit.

My point is, I would prefer to know how these nominees see the world. A big question would be Do you believe men and women are equal as human beings or do you believe they have distinct rôles that require them to be treated differently? Never mind what the law says, what do you believe?

Another picture:

 

Over 20 million people have cast ballots already. It would gratify me greatly if this proved to be a record turnout. I am still convinced that turnout is essential.

We’re going to go to the polls on November 3rd. I feel it is important. I want to see what there is to see. I doubt we’ll have any armed partisans at our polling place, but you never know. I’m seeing this nonsense in Idaho and elsewhere, with these dystopically-inclined post adolescent conspiracy addicts threatening vigilantism should things not go the way they want. It is my belief—just a belief, mind you, but not based on nothing—that less will come of all that bluster than promised or feared. I don’t think much of people who isolate in the hills, come to town expecting Thunderdome, posing in Starbucks like a bad movie promotion, and rejecting anything that might take their Moment away, liked facts and ethics and community well-being. They have been imbibing a brew of Fifties-era SF movies, Mad Max, Bircher pseudo-science, and Talk Radio Newspeak for too long. They do not, I feel, understand the world, but they’ve figured out how to make that ignorance a virtue. They thrive on disappointment and I suspect they will continue to so thrive.

Something more pleasant again:

 

On a personal note, I intend—I always intend—to get a bit more disciplined about certain things. The writing, for one. I’ve done little enough in the last few months. This past week, I did almost none. Yesterday I went back to work on a novella I’ve been teasing at, and today, obviously, I’m doing this.

But I also need to get on the self-promotion schtick for my photographs. They’ve been available for purchase for almost two years now and I’ve sold—nothing. I don’t know if it’s because they just aren’t very good or because no one thinks I’m serious about this. I plan to buy a new scanner sometime in the next few months and start transferring my old negatives into digital files. I have five decades of images to go through and it would not be a pleasant thought to see them all just go in the rubbish when I die.

No, that’s not an issue. Not at present, anyway. I’ve been dealing more and more with my parents on that topic, but I am fine. Again—I Am Fine. I went to the gym this morning and even impressed myself.

But, as they say, I have less life ahead of me than behind. I would like to see some of my visual work out there, adorning walls, and so forth. Yes, you will have to buy it. But I need to find some avenues for getting it in front of people.

Which brings me to a statement of being. I am fine. Physically, mentally. Emotionally? Hey, we all have things we need to work on, and the world right now isn’t exactly a cuddly place (but then when is it ever?), but I have some optimism. I intend to be here for a while. I have things to do.

So, I ask you all, whoever you may be, to share with me a few moments of possibility. That things will get better. As long as we don’t give up. I know, that sounds a bit cliché and a touch Pollyanna-ish, but it also happens to be true. Years ago I learned in the fiction business that those who guaranteed will fail are those who give up and go away. Chance may be fickle, but you can’t benefit from it if you aren’t there. It’s not much, but sometimes it’s all you need.

It’s the follow-through that really matters, and for that you really have Be There.

Anyway, enough babbling. One last pleasant image to go out on. Be well.

Detritus

Things pile up.

In 27-some years of living in my house, debris accumulates. Not dust, that can be swept up, wiped away—redistributed—but Stuff. Books, papers, nick-knacks, unquantifiable objets-d’art. A long list of “do you know what this is, where we got it, do we want/need/feel impotent to discard it?”

In my case, books, music, movies. Media. I am an art packrat. A “pack-art” or an art rat or some such. My shelves are full, the stacks are growing, and I find myself unwilling to part with any of it, because it all means something. I have a three foot shelf of books about the Napoleonic Age I am loathe to be rid of because they are research for a trilogy I have written but not sold and on the off-chance I need to do further work on that trilogy, I do not want to lose the books. (I have another, seven foot shelf, of books about the Civil War and Reconstruction Era for a novel which never got out of the note stage, but which I very much want to write, so I’m hanging on to the books.) I have piles of books I want to read, but have no idea when I’ll get to them, and some of them will be rather beside-the-point if I don’t get to them soon.

Then there are the sheaves of notes. Story ideas, phone numbers, websites, research comments, scribbles. Some of it goes back 30 years and I can look at the words and wonder just what that was all about.

The music and videos are another matter. I listen to music a lot. I love movies and television shows. But we now have Netflix, which adds to the obvious impossibility of “catching up.” I’m beginning to think about that during retirement, but then there are all the books…

It is my past and I am unwilling to bury it.

A bit of morbid darkness creeps in sometimes, looking at all this. Leaving it all behind for others to pick through, assuming they will. More likely it all just goes out the door. No one in particular will know the history of acquisition behind it all.

Which for the most part doesn’t bother me.

But I am an artist. I don’t mean that in any egoistical sense, only in that I have spent my waking life creating things, ostensibly beautiful things, for the pleasure of others. I have spent almost as long puzzled that no one really gets to see much of it. I am—have been, remain—terrible at self-marketing. I have tens of thousands of photographs going back to my adolescence. Most of it unremarkable, journeyman work, forgettable if not just bad. But there are some good images.

I have nothing in place to secure the future of that body of work.

The writing is different. I’ve managed to get it out there, in front of people, and I am modestly able to claim some kind of imprint on the public. Not much, but it won’t all just vanish.

My music is yet another matter still.

But it is there. All of it. Sitting beneath the surface of a life.

I wonder how other people anticipate the evidence of a life lived. I had every intention of being more or less orderly, with a place and a context for each important object. The filing system of my experience should have been like a gallery, through which one might stroll and see everything. Instead, it’s more or less a mess. A comfortable one, for the most part, but sometimes I see the need to impose order, just so it doesn’t look like it needs throwing out.

Purges can be therapeutic, though, never mind the freeing up of space.  There is the mental drag of always being reminded of what you haven’t done yet.

Maybe it’s the writer in me, but I wonder about the workers tasked with throwing things out of suddenly vacated houses or apartments. Are they aware that they are excavating lives? Not curating, though. That’s what concerns me now.

I had other plans for my ecology.

I think “ecology” is a useful way to look at one’s life, the furnishings, the rituals, the care. Healthy ecologies extend across the entire spectrum of possibility and desire. We assemble them over life. Early on, it’s a matter of adding things in, then arranging them, and finally some weeding becomes necessary.

But there’s some comfort in all that surround. Familiarity, at least. And throwing things out can sometimes feel like self-surgery.

It is true, though, that sentimentality can become a trap. It can feel better than the here and now, especially since it is so malleable. Sentiment (as well as a constantly reshuffled memory) rewrites history for us.  Not only pain, but everything acquires a temporal gloss. Like the speed of light, the closer we approach precision, the harder it becomes, and we can never quite get there. We assume record-keeping, memorabilia, scrapbooks, and the components we build to represent our lives (to us as well as to others) will make it easier.

I’m not sure what that means, though. As the past recedes, faster and faster, dopplering out of reach sometimes, the objects meant to remind become in themselves the thing of which we are reminded. Not the event or the people or the place, but the thing. At which point we have to question if it is worth keeping. If the memento no longer memorializes but, perhaps, just takes up space for something more valuable…

These are certainly personal considerations. But it may be that the same applies to larger matters. How much do we keep as a community? As a city? As a nation? At what point do the things meant to memorialize take on a self-importance that supplants the legitimate memory and thus become blockages, impediments, worse than useless? What might we learn or discover in their absence? What might we become if no longer encumbered by the distorted memorials of a past which may have no real relationship to what we were and certainly not to who we are?

If I finally get rid of that pile of old notes, will it change who I am? Probably not. But it might let me be who I am with a little more clarity.

Something to think about.

 

Say That Again Maybe Better Next Time

This is a mini-rant.

I have no idea how much this influences the times we are living through now, but—allow me to set the stage first—part of my job (day-job) is reading books for possible inclusion in inventory. These are generally self-published. In spite of everything, I have become…an editor.

As a youth, I experienced impatience with what have become known as Grammar Nazis. As with so many elements of good writing, I didn’t care that much as long as meaning was conveyed and the story moved along. Event was my drug of choice, character not so much. The elegance of the prose…well, sure, but it wasn’t necessary.

So I thought.

Years later, having labored at my own fiction, I found myself pitying that young idiot. Event means nothing unless character conveys impact. The elegance of the prose is primarily a property of the kind of writing that allows a reader the full range of experience through a story. Style, substance, character, plot. Take any one away, the text falters. Make them work together and you get something worth reading, perhaps even memorable.

And now I see the downside of haste and the ease of Getting The Book Into Print regardless of its quality. Or qualities.

And then I listen to the speech of our public figures and can’t help but wonder if we are in a state of communicative disarray because they (not all, but some, perhaps many) never learned how to write or speak well.

Once upon a time, Rhetoric was taught as one of the primary Arts.

There are many reasons we should revisit that.  I will say here that Grammar (as it was taught to me in school and probably as it is still taught) is no substitute for a full course on the Reason To Learn To Write Well.

If we cannot speak to each other intelligibly, how can we ever hope to solve problems?

Regarding the books I read for my job, most of them, usually, are written in what I would say is serviceable prose. Nouns, verbs, adjectives, subjects, objects, all those elements are mainly in their proper places and meaning comes across.

But sometimes, where it matters most, a significant handful of hopefuls write in what I can only assume is a manner (mannered), a style they think is “literary.” Convoluted constructions, run-on sentences, what Mark Twain called “second cousin words” instead of the right ones. And attempts at conveying…something…of which the writer has no real understanding and covering that lack by piling on Important Sounding Verbiage.

Primarily, the problem is the writer does not actually have a grasp of what they are trying to convey. Secondarily—and fatally—they haven’t taken the time to find out how to do the craft.

Likewise with so many second-rate pundits and politicians.

We live at a time of unprecedented access to public dissemination. In the past, you couldn’t get your words published unless they could get past an editor. Now we can put out any damn set of sentences we want with no one to tell us we shouldn’t.  Self-publishing has created a glut of bad prose and an entitled generation of self-important blatherers who think their words are worth the same time and attention as someone who has worked hard to learn the craft and—most importantly—understood what is important to say.

And I’m not talking about paper books or even ebooks. Multiple platforms exist to allow access to people for anything they feel moved to say. In the sense of it being a forum, all the social media outlets are functionally publishers and too many people think they’re worth reading by putting something on them.

The result of which is a degradation of public discourse. Hitting Enter has become the sinecure of too many empty minds, vacuous ideas, and poorly reasoned diatribes.

Something about seeing bad prose on a page between the covers of a physical book makes it more obvious.

Years ago I became aware of a subset of wannabe writers who felt they could be writers while eschewing reading. This baffled me no end. To begin with, why would you conceive of the desire to be a writer if you did not already love reading. Of course, the truth is, they do not want to be writers. They have no idea what that would be.  What they want is to be Important. Noticed. They want a stage. They assume the desire is sufficient to the purpose.

Likewise for people who wish to be Thinkers without troubling themselves to learn how to think. But of course, they don’t really want to be Thinkers. They want to tell others what to think. They want to be Important. Noticed.

We have given them a stage. Many stages. And since the price of admission to the show is usually free, well, as they used to say (and may still) you get what you pay for.

Please. Communication is not a trait like hair color, height, or eye color. It has to be learned. You have to work at it.  And just because you learned how to talk does not mean you automatically know how to speak.

Thank you for your time and attention. I’m going to go read some more books now.

2020

Optimism. Maybe this year will be clear, sharp, allowing for vision.

I sold two new stories in 2019, after spending a year or so working at recovering the skills to write short fiction. To my complete dismay and pleasure, both stories sold to a market I have traditionally been unable to crack—Analog. Diligence and energy permitting, I intend to write and sell several more stories this year.

Other than that, I do not have much to say about 2019. We lost friends, our dog, suffered unexpected disruptions. Personally, politically, creatively it was not much of a year to remember.

So rather than do the usual retrospective, I will only say that going forward I intend doing all I can to make the next 12 months better.

I have the best partner anyone could hope to have. Without her, I believe I would be a gibbering idiot in a padded cell somewhere. I have excellent colleagues. I work at a place that is an intellectual and spiritual oasis, a garden in the midst of so much wrack and ruin. I have friends.

I have work.

In the coming months, I intend doing more with my photography. Changes on my art site have commenced, modest to be sure, but I intend calling more attention to it. Please, if you are in any way inclined toward hanging original work in your home or office, pay a visit.

But more than that, I intend publishing more. I’ve been too long absent from the short fiction  environs. I have novels waiting in the wings. I have more stories in process.

It may be that in a couple of years I will have more time to devote to all of it. We shall see.

But whatever happens, 2020 offers a chance to be more and better—for all of us.

So. Be well, be clear, be alive. We’re living in the Future.

Travel well, travel far.

Workin’ On It

Once more before the screen, on an on-and-off rainy day. I’ve been trying to follow up on the good effect of a story sale and bulling my way through some stories that have been hanging fire for too long. What do I feel like doing instead? Well, not what’s below. I don’t fish. I would be one of those who would bring a book and fall asleep, probably get sunburnt, mosquito-bit, generally overheated, and with no fish to show for it because I wouldn’t really care.

But the sunshine would be nice. And a bit of placid surroundings. Don’t know about the audience, though…