Other Stuff, Sundry and Otherwise

I posted a new piece over at my Other Place, The Proximal Eye.  A few folks have expressed a bit of amazement that I began another blog.  After all, I’m constantly complaining of lack of time.

But I’m a writer, first and foremost, and call me shallow (you did! how dare you take me at my word…?) but getting words out in front of people is what being a writer is mainly about.  Being paid for those words is, of course, part of the plan, to which the new blog is a necessary long term component.  That will become clear.

I’m getting ready (soon, soon) to start work on a new novel.  Part of the delay is getting settled into a new schedule, since I have a Day Job once again.  Didn’t I tell you?  Yes, I work for Left Bank Books.  This is a heady combination of smart and unwise on my part.  I work in a bookstore now!  I have a book habit.  This is like employing a junkie in a pharmacy.

But after a few hefty purchases, I’m beginning to exert discipline.  Don’t know how long it’ll last, but we’ll see.

That aside, so far I’m enjoying it.  For one, the people working there are, without exception, terrific.  Eclectic, sure, but then what am I?  I can only hope to aspire to the level of eclecticism on display in the intellectual variety of the Left Bank crew.  If you live in St. Louis and have not paid the place a visit, well, what’s taking you so long?  Get your ass in there and marvel.

Now for another act of self-discipline.  I’m cutting this short, right here, now, and turning to my other writing—fiction.

Eat. Sleep. Read.  (Come in to the store, you’ll understand.)

Also, make time enough for love.

 

 

Sundry Stuff

January is nearing its end.  How’d that happen?  I thought…

Anyway, I put a new review up over at My Other Blog, the Proximal Eye, about Joe Haldeman’s latest.  Right now, though, I’m reading Cloud Atlas by David Mitchell, which has been recommended to me countless times by now and it seems half the people I work with at Left Bank Books are currently reading it.  So Friday I finally sat down with it and started and as of this morning I’m halfway through.  I’ll tell you what I think of it when I finish, but so far I’m suitably impressed, especially now that I’m into the Skiffy section with the clones.

I used to cringe when someone from the “mainstream” decided to go slumming and write a science fiction novel.  They’ve seldom done a good job in the past, but that seems to be changing.  It would be easy to say “How could it not?” given the world we live in today.  Barring space travel and androids, we live daily with much that was promised us, as exemplified in Star Trek.  (When I read about 3-D copiers my hair stood on end, a genuine “shit…” response.)  But we moved into it so smoothly, albeit so quickly, no one seemed to notice that we were living in the future!

Maybe more people noticed than I thought.  A lot of writers who in the past I would never have expected to do it well have done credible to excellent science fiction or at least SF-related fantasy that my flinch reflex when a new one comes out is relatively small now.  Mitchell is handling it very well.

Meantime, I’m just about through with the rearrangement of my office, so much so that I’ve been slacking off and trying to write.  I have a couple of short stories in the works that are eluding resolution (one of which is actually called that) and I have a pair of novels to write this coming year.

So it’s the last week of January and I’m having no luck slowing things down time-wise so that I can actually do the work.

Stay tuned.  All will be well.  Promise.

2012

I was never so glad to see an election done than this past one.  The only comparable year in my experience was 1968 and I can’t honestly say that comparison is viscerally valid, as I was 13 most of that year, 14 right before the election, and most of the issues washed over me leaving me unfazed.  But ’68 was the year of Nixon and Humphrey and George Wallace, Vietnam, the Counter Culture and the Anti-War Movement, and a resurgent Republican Party in opposition to LBJ’s Great Society.  I sensed the acrimony, the bitterness, the ugliness, but most of it made no real sense.  Looking back, I can see that it was very much a revolutionary year and now I can make at least an intellectual comparison.  2012, politically, was a war.

I just finished reading Gore Vidal’s Lincoln, part of his epic series Narratives of Empire.  Lincoln chronicles, novelistically, the Civil War from the viewpoint of Washington and inside the Lincoln White House.  I have read enough period history to recognize the essential accuracy of Vidal’s setting and the nature of the events.  It was tonic for me since it is a full court display of a truly ugly period of political history.  We have encased Lincoln in the amber of the past and rendered him “safe” for our nostalgic alchemy, but it is always instructive to learn about what really went on.  For sheer vileness, one would be hard pressed to find another period in our history to top it.  All the thoughtless charges this past year that Obama was destroying the country, that his re-election would signal the end of liberty, the gutter-level spite in even the most passing of commentary—especially by those in the upper levels of our political institutions—are rendered commonplace by gaining even a smidgen of knowledge of earlier times.  Lincoln, who is now regarded as one of if not the best president we ever had, was at the time regarded even by his supporters as a first-class mediocrity, called “the original gorilla” by subordinates and a Press that was never, seemingly, satisfied with his performance.  His own cabinet was comprised of men who, each of them, thought they could do a better job.  Whereas Obama is only feared as someone who would take away liberty, Lincoln did (the suspension of Habeus Corpus chief among his actions) and yet, here we are, 150 years later, having a hard time wrapping our collective heads around the utter humanness of his presidency.

Still, we didn’t live through the Civil War, we lived through 2012, and personal experience matters differently.

My reasons for not voting for Romney I made plain.  What I found so disconcerting this past year is how little reason impacted those who were bent on ousting Obama.  Once I left the realm of contentless rhetoric and starting talking policy, eyes glazed over, mouths became slack, the body language of my conversents acquired the fight-or-flight posture of someone beginning to perceive a physical threat.  I can only conclude from my small and thoroughly unscientific sampling that most of the people I knew who intended to vote for Romney cared not at all about such things.  Policy made no difference other than as a prop to a personal disdain for Obama.  Without doubt, I’ve lost acquaintances over this.

Worse, the response to losing has been one of the most bizarre congeries of absurdities in recent memory.  The complete denial of reality startled me.  It has been an antic, carnival year in politics.

Interrupted for me personally by my first encounter with mortality, namely an attack of appendicitis that laid me up for nearly two months.  The first week of August I developed a “fluttering” in my belly that resembled stomach flu, but wouldn’t settle out.  By the time I got to the emergency room, it was a full blown agonizing Thing.  My appendix had perforated and I was in Barnes Hospital for a bit over a day.  A few weeks later, I was back in because, one, the wound had become infected, and, two, I had developed an abscess.  Two months after the initial event, I was pronounced healed.  Two months of soup and sleep and reading books and contemplating vulnerability.

For whatever reason, I do not consciously consider myself the object of much affection, so it always surprises me (pleasantly) when people display it toward me.  (I don’t really understand this in myself, since I am in many ways a rather self-centered person, but this never seems to extend to expectations that anyone else pay attention to me…desires, certainly, but not expectation…)  The degree of sympathy and well-wishing that came during my convalescence both humbled and delighted.  Thank you, my friends.

As I said, this did afford me an opportunity to read and I plowed through several books I might otherwise not have managed.

I began a new job this year, at Left Bank Books.  Back in 2011 I started doing work for them of an unusual sort—what we call downtown outreach.  Left Bank is our oldest independent bookstore (1969) and four years ago opened a second location in downtown St. Louis, which proceeded to be ignored.  Well, it takes a while for a new business (or a new location) to acquire recognition, but in this economy they couldn’t really afford to wait.  So we tried something and I started going around to the businesses downtown to introduce them to the fact that they now have a full-service bookstore right there.  Many folks knew about Left Bank Books, but only remembered the Central West End location.  Naturally, they were thrilled to learn there was one within walking distance.

I sort of doubt I had much to do with their increased sales this past year, but it didn’t hurt.  After a few months of my meeting with office managers, building managers, hotel concierges, and the like, sales took a turn for the better.

As of October, I started training as a bookseller.  I’m still doing some of the outreach, but now I have some steady hours (much needed!) and the bonus is I’m getting to know a bunch of very smart, very passionate, very cool people.

Donna also got a new job.  In a weird way.

At the end of 2011, she was dismissed from USSEC, the Job From Hell.  The less said of that the better.  The money, as they say, was great, but everything else sucked.  Frankly, that job was killing her (and not doing me much good either).  Entirely due to office politics, which she hates, she was set up to take a fall and fired.

Cause for Great Celebration and Gleefulness!

We’ve been becoming reacquainted this past year.  Except that the search for a new job turned out to be far more labor intensive than either of us anticipated.

However, she went back to doing what she loves to do—temping.  Of course, the problems with temping are simple: not enough pay and no benefits.  But she likes doing it!

Solution came in the form of an actual job offer from a temp agency to be a regular staff employee.  She works directly for the agency, takes what assignments they are now dedicated to getting her, and best of all she has benefits.  This is in most aspects a dream job for her.

We’re planning an actual vacation.  First one in several years.  (Long weekends aren’t actual vacations, we’ve learned this the hard way.)  But the best part is, she’s happy.

On the writing front, things are…much the same as they have been.  I finished the second volume of my alternate history trilogy (officially the Oxun Trilogy, consisting of Orleans, Oculus (now done), and Orient (forthcoming) and my agent loved it.  I have some revisions to make on it, but nothing major.

And we’re waiting.  I’ve decided to go ahead an write Orient this coming year anyway, just to have it finished.

I have placed a short story collection with a small local press.  Official announcement yet to come.

And I’m trying to write short fiction again.

My photography is continuing to improve (digitally) and I’ve taken my first steps into RAW.  Musically, well, I was playing fairly well until August…

The components of my youth are changing, passing away, metamorphosing.  Too many deaths of heroes, too many changes in landscape, too much maudlin reminiscence.  I won’t detail such things here.  Go back over my posts these last dozen months and you will see what I have mourned and remembered.

All in all, 2012 was a net improvement over the last few years in several ways, though I admit I have to think about it to see most of them.  The bout of appendicitis has been a bit of a wake-up call, with solemn contemplations of time left and mortality and reassessment.  I had blithely been living as though I had plenty of time left to do Everything I Want To Do, but even before August I was admitting that this wasn’t true.  August underlined it and put an exclamation point on it.

We do not make Resolutions normally.  I long ago knew that such things were little better than To Do lists that often get overwritten and superseded by circumstance.  But this time…

2013 will be different.  I don’t know how yet, but.

So be safe, be warm, love each other.  See you all on the flipside.

Archive

I have published 529 posts on this blog.

Absurd.

I started the Distal Muse as part of an effort toward self-promotion, an effort that has in some ways failed.  But in the years since it was first established (I think it’s first incarnation, as part of a ridiculously complicated site, was 2003) I’ve used it to hone a skill—the short essay—and indulge whims that I frankly have little interest in trying out professionally.  After that original site was replaced by the current one, in 2006 or ’07, I started using it for all sorts of things, including putting up original art.

I look back over what is here and I’m pleasantly dismayed at the variety.  Not altogether pleasantly nonplussed by some of the content.  But, for better or worse, it’s all mine.

Some of it, I think, is not half bad.  (May not be half good, either, but that’s a matter of taste.  I think.)

Since its commencement, I’ve added a FaceBook page and, more recently, Twitter (at my agent’s urging; I’m not really sure how to use that one), to which I link my new posts.  Since one of the purposes of this whole enterprise is to ATTRACT ATTENTION TO MYSELF (to gain an audience, you understand), I thought I’d start using the archive, and link to older posts that may pique the interest of some of the good folks who now subscribe to my various digital presences.

Obviously, anyone can peruse the archive any time they want, and to my pleasant surprise, some do.  But I thought this might make it easier.

Yes, I’m trying to get more regular readers.  But I also have a small vanity which chafes at the idea that past work will fade into total obscurity.

So while I may not post as much new work here as I have been lately (an inordinate amount of which has been political—duh, I wonder why!), I hope folks will indulge in my previous babblings and may find something worthwhile therein.

Erosions

New (ish) Job

Okay, I’m going to be a bit less here for a while. For one thing, I think I’m fairly toasted from the election season.  My blood pressure hasn’t been this consistently tasked since, I don’t know.  And the aftermath has gone from bad to silly.  Sure, I could probably comment on the silly (oh, the stupid—it hurts precious, it hurrrtsss), but why?  Just seeing it should be enough and I don’t need to get angry all over again every day.

Look, guys (yeah, you old white farts who seem to think the only two things of value in this country are money and the military), Romney lost.  He lost because people didn’t like him.  Although, to be fair, a lot of people apparently did like him.  Maybe.  Maybe it was just that a lot of people don’t like Obama.  But apparently not enough to vote for Romney.  Anyway, you seem to be trying to find every other reason under the sun (or under a rock) to explain that so you don’t have to face the most likely reason—your policy positions don’t appeal, Romney didn’t have enough “charm” to overcome his deficiencies as a candidate, and a majority of people, in spite of a long campaign of disinformation, defamation, and distraction, think Obama should have another four years to see what he started through.  Romney lost because voters preferred something else.  It’s that simple.  You want to change that for next time?  Do something about the nonsense in your party, grow up, and stop fooling around with issues that piss people off.  Then come back and talk to us.

Also, it is not the end of the world.  It’s not even the end of the world as you know it.  Obama is not the anti-christ, he’s not a socialist, he’s not going to end liberty (I actually saw that declaration often, that his re-election would be the end of our freedom, and I couldn’t help but wonder: what do you people think is going to happen?  And ancillary to that is: just what can’t you do today that you could do five years ago, other than maybe afford the mortgage on your McMansion? Jeez, folks, get a grip!)  In four years you’ll have another shot at trying out your vision, the election will happen, and people will vote.  America will go on.

Anyway, that’s not what I wanted to talk to you about today. Ahem!

I have a new job.  Newish, anyway.  I’ve been doing some on-again off-again work for Left Bank Books this past year.  They opened a downtown St. Louis location a few years back and it’s been taking a while for people to become aware of it.  So I took walks around, meeting people, letting them know the good news, that they have a full service—independent—bookstore right in their midst.  Now and then, I’d repeat, remind, find some new folks, and it seemed to have a small effect.  Business picked up.

I’ve now joined them as part of their regular staff.  Part time.  I’m still trying to launch a literary career, after all, and I need time to, you know, be literary.  But how cool is this, that I get to work in a bookstore now?

Peruse their webpage.  These folks do a lot.  Many, many author events, lots of programs, reading groups.  Now, obviously, to do cool things requires cool people, and they have more than enough.  The last few weeks I’ve been trained by some and they rate high on my cool people meter.

So if you wonder at my lack of comment here or you can’t get me on the phone as often as you might like, well, this is why.  As we wait for the fuse to catch on the rocket of my best sellerdom (yeah, right), I’ll be there, wandering amid the shelves and offerings and drooling (dryly, dryly, can’t get the pages wet) and wondering why I won’t live long enough to read all the really great books.

Oh, yeah, I’m still writing stories.  I have a little news on that front as well, but I’ll save it for later.

So have a good rest of the year, check back from time to time (I’m a little compulsive about this, I will be posting something), and maybe if any of you are in St. Louis, come on by Left Bank.

Some Thoughts On SF, Nostalgia, Words

This past weekend I attended our local convention,  Archon.  It’s a St. Louis convention that’s not actually in St. Louis, for many reasons too convoluted to go into here, and this one was number 36.  Which means, with a couple of exceptions, I’ve been going to it for three decades.  (Our first con was Archon 6, which featured Stephen King as GoH, and thus was something of a media circus.  I met several writers, some whose work I knew and loved, others of whom I just then became acquainted—George R.R. Martin, Robin Bailey, Charles Grant, Joe Haldeman, Warren Norwood. Some have passed away, others are still working.)

I go now to meet up with friends of long acquaintance, in whose company we have spent relatively little actual face-time, but who by now have become touchstones in our lives.  It’s odd having people who feel so close that you see at most one weekend a year.  Granted, the internet has helped bridge those gaps, but it’s still a curious phenomenon, one which I kind of dealt with this weekend on at least one panel.

This year, the novel that seems to have garnered the most awards was Jo Walton’s Among Others. It won both the Nebula Award and the Hugo Award, both times beating out what I considered the best science fiction novel of perhaps the last decade, China Miéville’s Embassytown.  

Now, please don’t misunderstand—I thought Among Others was a marvelous novel.  I enjoyed it thoroughly, was, in fact, delighted by it, and certainly being delighted is one of the chief pleasures of reading.  I do not here intend any slight on the work.

But it took two awards that are supposed to honor the best science fiction of the year, and Among Others was barely fantasy.  (One of the things I admired about it was the line Walton danced around separating the fantasy from actual occurrence and simple perception on the part of the characters.)  It is in the long tradition of English boarding school stories, written as the diary of a girl who is somewhat isolated, who has run away from her mad mother (who may be a witch) after a tragic loss of her sister and a crippling accident.  Living with her father now, she is placed in a boarding school where her love of science fiction is one of her chief methods of coping. The novel then chronicles the succession of books she reads over a year or two, many of which were exactly the books I was reading then and loving.  It is in that sense an overview of a particular period in SF, one I found myself reliving with immense pleasure.

Embassytown, on the other hand, is solidly SF built on a very meaty idea that plays out with intensity and provokes a great deal of thought—everything SF is supposed to do.  It is also marvelously well-written and to my mind was hands down the best of the year, if not, as I said, the last decade.

But it lost to the Walton.

Why?

So I proposed a panel at Archon to discuss the power of nostalgia in a field that is presumed to deal with cutting edge, next level, philosophically stimulating ideas.  It’s supposed to take us new places.  Granted, most of it no longer does—instead it takes us to some very familiar places (after eight decades of definably “modern” SF, how many “new” places are there really to go?) and in the last couple of decades, it’s been taking us to some very old places, alá Steampunk and alternate history.  I’d never given much thought to this before as a nostalgic longing because in both cases the writers are still proposing What If? scenarios that ask questions about the nature of historical inevitability and technological destiny.  The story might well be set in 1890, but it’s not “our” 1890 and we have to come to grips with the questions of why “our” 1890 has preference in the nature of human development.

But Among Others didn’t even do that.  It was just a recapitulation of one fan’s love of a certain era of fiction.

Again, absolutely nothing wrong with that and I say again, Among Others is a fine novel, I unhesitatingly recommend it.

My question in the panel had to do with the potential for exhaustion in SF.  Paul Kincaid talks about this here in an examination of two of the best Best of the Year anthologies, Dozois’ and Horton’s.  In my own reading, I’ve noticed a resurgence of old models—planetary romance, space opera, etc (Leviathan Wakes by James S.A. Corey for instance)—where we’re seeing writers take these comfortable, familiar forms and rework them with more contemporary sensibilities, broader perspectives, certainly in many instances more skillful prose.  But the “cutting edge” seems to be occupying narrower slices of the collective SF zeitgeist.  (William Gibson, to my mind still one of the most interesting SF writers, has all but given up writing SF in any concrete fashion and is now doing contemporary thrillers from an SF perspective.  Is this cutting edge or an admission that there simply isn’t anywhere “new” to go?  Likewise with Neal Stephenson, who opted to go all the way back to the Enlightenment and rework that as SF—taking the notions of epistemology and social science and applying them to the way a period we thought we knew unfolded from a shifted perspective.)

Kincaid’s piece talks about insularity in the field, which is not a new criticism—arguably, the recent upsurge in YA in the field is a direct response to the ingrown, jargon-laden incestuousness of the field in the 80s and 90s, where it seemed that if you hadn’t been reading SF since the early Seventies you simply would not understand what was going on—but I’m wondering if a new element has been added, that of an aging collective consciousness that unwittingly longs for the supposedly fertile fields of a previous Golden Age in publishing, an age before Star Trek and Star Wars and cyberpunk, when it was easier (supposedly) to write an almost pastoral kind of science fiction and you didn’t need a degree in physics or history or cultural anthropology to find your way.  (I suspect the tenacity of iconic worlds like the aforementioned Star Trek and Star Wars can be explained by a very common need for continuity and familiarity with a story that you can access as much through its fashions as its ideas.)

Having just turned 58, and feeling sometimes more behind the curve both technologically and culturally, I’m wondering if, in a small way, the accolades given to a work of almost pure nostalgia is indicative of a wish for the whole magilla to just slow down.

(The trajectory of my own work over the last 20 years is suggestive, where I can see my interests shift from cool ideas, new tech, stranger settings, into more personal fiction where the internal landscapes of my characters take more and more precedence.  And many of them are feeling a bit lost and clueless in the milieus in which I set them.  Not to mention that I have moved from space opera to alternative history, to more or less straight history and into contemporary…)

The panel was lively and inconclusive—as I expected, because I didn’t intend answering my own question, only sparking discussion and perhaps a degree of reflection.

SF goes through cycles, like any other art form, and we see the various subsets rise and fall in popularity.  There’s so much these days that I may be missing things and getting it all wrong.  The reason I brought it up this time is a response to the very public recognition of a given form that, this year, seems to have trumped what I always thought science fiction is about.

I confess, there are many days I look back to when I first discovered SF, and the impact it had on my adolescent mind (and the curious fact that when I go reread some of those books I cannot for the life of me see what it was about them that did that—no doubt I was doing most of it for myself, taking cues from the works) and when I first thought about becoming a writer.  It does (falsely) seem like it would have been easier “back then” to make something in the field.  Such contemplation is a trap—you can get stuck in a retrograde What If every bit as powerful as the progressive What If that is supposed to be at the core of science fiction.

My World of Tomorrow

This weekend I’ll be attending the local science fiction convention, Archon.  I’ve only missed a couple of these since 1982, when Donna and I went to out very first SF convention, Archon 6. Stephen King was guest of honor and we got to meet many of the writers we’d been reading and enjoying, some, at least in my case, for many years.  Until that year I hadn’t even known such things happened.

Science fiction for me was part of the fundamental bedrock of my life’s ambitions.  Not just writing it or reading it, but in a very real sense living it.  It is difficult to recapture that youthful, naïve enthusiasm for all that was the future.  The vistas of spaceships, new cities, alien worlds all fed a growing æsthetic of the shapes and content of the world I wanted very much to live in.

I’ve written before of some of the aspects of my childhood and adolescence that were not especially wonderful.  My love of SF came out of that, certainly, but it was altogether more positive than merely a flight response from the crap of a less than comfortable present.  I really thought, through a great deal of my life, that the world was heading to a better place.  I found the informing templates and ideas of that world in science fiction, in the positivist philosophy underlying so much of it.

And I liked that world!

It was not a world driven by bigotry or senseless competition for competition’s sake.  It was not a world where deprivation was acceptable because of innate fatalism or entrenched greed.  It was not a world that lumped people into categories according to theories of race or economics that demanded subclasses.

True, a great many of the novels and stories were about exactly those things, showing worlds where such attitudes and trends dominated.  But they were always shown as examples of where not to go.  You could read the paranoid bureaucratic nightmares of Philip K. Dick and know that he was telling us “Be careful, or it will turn out this way.”  We could read the dystopias of a Ballard or an Aldiss and see them as warnings, as “if this goes on” parables.

You could also read Ursula Le Guin and see the possibilities of alternative pathways.  You could read Poul Anderson and see the magnificent civilization we might build.  You could read Clarke and glean some idea of how people could become more than themselves.

You could see the future.

And what did that future offer?  By the time I was eighteen I knew I wanted to live in a world in which we are all taken as who we are, humans beings, and nothing offered to one group was denied another just because.  I recognized that men and women are equals, that our dreams and ambitions are not expanded or diminished by virtue of gender.  I understood that building is always more important than tearing down.  I discovered that Going There was vital and that the obstacles to it were minor, transitory things that sometimes we see as too big to surmount, but which are always surmountable.

Sure, these are lessons that are drawn from philosophy and science and ethics.  You can get to them by many paths.  I just happened to have gotten to them through science fiction.

I envisioned a world wherein people can engage and interact with each other fearlessly, without arbitrary barriers, and we can all be as much as we wish to be, in whatever way we wish to be it.

So imagine my disappointment as I watch the world veer sharply in so many ways from that future.  A world where people with no imagination, avaricious or power hungry, people of truncated and stunted souls are gaining ground and closing those doors.

There is a girl in Pakistan who may yet die.  She’s 14 years old and she was shot by the Taliban because she dared to stand against them.  She assumed her right to go to school, something the Taliban refuse to accept—females should not go to school—and rather than engage her ideas they shot her to silence her.

In our own country we have men in places of power who think women shouldn’t have the right to control their own bodies, others who opine that maybe slavery wasn’t so bad after all, others who deny the legitimacy of science because it contradicts their wishes and prejudices.

This is not the world I imagined.  Why would any sane person deny anyone the right to an education?  How could the community around this girl even tacitly support this idea?  This is so utterly alien to me that it is incomprehensible.  This is evil.  This is not the world of tomorrow, but some kind of limpet world, hermetically sealed inside its own seething ignorance that, like a tumor, threatens everything that I, for one, believe is worth while.

So I write.  I write stories and I write this blog and I write reviews and I write and I talk and I argue.  It is disheartening to me how many people use their ignorance as a barrier to possibility, to change, to hope.  I can’t help sometimes but think that they would have benefited in their childhood from more science fiction.

I still have hope.  It still comes from the source well of my childhood imagination, that we can build a better world.  If that’s naïve, well, so be it.  Harsh reality, unmitigated by dreams of beauty and wonder, makes brutes of us all.

See you at Archon?

 

Playing

Archon 36 is approaching and I’ve taken out a couple of panels in the art show.  Consequently, I’ve been playing in order to create images suitable for a science fiction/fantasy art show.  My most recent accomplishment:

 

Twin Sun Pastoral

I have a few others, plus a couple of actual paintings and drawings, but I’m fairly pleased with this one.

Now for the crass commercial message.  This image is for sale.  The one I’ll be hanging at Archon will be and you can order one directly from me.  Just drop me an email, mentioning the image title (Twin Sun Pastoral) and I will reply with price and all that.

In fact, most of my visual art is available for purchase and some time in the next couple of months I’m going to be putting up another page here to feature an “image of the month” for sale.

End of commercial.  As I become better acquainted with Photoshop, I’m finding ways to realize more interesting images.  (I recently discovered the magic wand and it has opened up vast possibilities!)  I hope you enjoy it at least.

And thank you in advance for your consideration.

Miscellany

Just a bunch of assorted items of some minor interest.

First up, I did a new interview!  Jared Anderson runs a blog specializing in author interviews and he asked me to contribute.  Mine is now up, for the pleasure of anyone interested.

Apropos of writerly things, I have finished the second book of my Oxun Trilogy.  The first book, Orleans,  is currently making the rounds via the good offices of my agent, Jen Udden.  Among the various projects I had on hand to work on this past several months, I decided finishing book two might be a good idea.  Oculus is finished.  At least, it will be once Donna completes picking the nits from it.  I hope to hand the manuscript over to Jen some time next week.

This opens the way for volume three, which I intend to call either Orient or Ojo.  Haven’t decided yet.  Ojo is Japanese for rebirth (roughly) and fits with the theme of the book.  This is the one I’m both really looking forward to and dreading, as it will be primarily historical.

Meantime, I am about to dive into the rewrite of my historical mystery, per my other agent’s notes (yeah, two agents, it’s complicated, don’t ask, it works), which will likely take up the rest of the summer.

This afternoon, my friend Russ is coming over with his horn for our last rehearsal before this weekend’s coffeehouse.  We’ve been working on a version of Harlem Nocturne, which we both love and hope to do Saturday.

Prior to his visit, I have to go mow the lawn.  Tedious but necessary.

In between all that, I’ve been working on some new short stories.  As I’ve mentioned from time to time, I’ve been having difficulties with short form for—well, for the last several years.  A few months ago I got very angry with myself and just sat in front of the computer, staring at a story fragment, refusing to do anything else until Fred (Fred was the name Damon Knight gave to the unconscious, which he acknowledged but didn’t like calling the Unconscious)—as I say, until Fred belched up the story solution.  I promptly finished three or four more and I intend to keep hammering at the others.  I must have a couple of dozen half-completed short stories and there is no good reason for them not be completed.  Except for Fred.

Donna’s sisters will be coming into town next week (one from Florida, one from Iowa) and, I assume, hijinks shall ensue.  In the middle of their visit will be a major party and ongoing we have housecleaning.

I’ve been reading Ray Bradbury, prompted by his death.  I wrote about Ray here.  The other day I finished Something Wicked This Way Comes and, through the eyes of experience, I marveled at the exuberance of his language, something I sort of took in stride the first time I read it back at age 12 or 14.  I’m going to go through I Sing The Body Electric next and then maybe The October Country.  Ray was a unique voice in American letters, a high-wire act and a national treasure.  Unlike many great artists, he did get acknowledged and rewarded.  I think he had an exceptional career, all the more so for having done pretty much what he wanted to do most of the time.  He will not vanish into obscurity, I think.  He was misidentified as a science fiction writer.  What little genuine SF he wrote fell apart on most metrics of good SF, but that’s not what he was trying to do.  He was an American mythographer.  His stories were about the things that informed our national character, down deep inside where we live, and reflected the romance of a national vision that was fractured at best, overambitious always, and essentially naive.  Not that he wrote naively—on the contrary, I think he wrote very perceptively about naivete, and somehow rarely in a judgmental way.

We’re on the threshold of summer.  We inherited a gas grill which I need to figure out how to get working, because this year I want to barbecue, something we haven’t done here in years.

There’s more, but I’m rambling.  So to conclude, let me offer up another photograph and bid you adieu till next time.

 

Should the World End…

…give me a call.  I’m halfway through the current draft of a novel I would like to finish by month’s end (not likely) so I probably won’t be posting much if anything here.  Meantime a couple of new images so you have something cool to see when you drop by.