Picture For A Sunday Afternoon

When I was a kid there used to be a number of “movie” shows on television. We had three major networks and a couple of local independent “affiliates.” Paltry choices compared to today, and yet there always seemed to be plenty to watch. As older films became available to lease by networks, these shows proliferated. The Three O’Clock Movie during the work week, then later some prime-time selections, but I always remembered the Picture For A Sunday Afternoon as my favorite.

It was nostalgic, even then. And kind of arty. We saw a lot of films that didn’t have much to do with Oscar winners or things like that.  And it was all in glorious black-and-white, because we didn’t have a color set. Even if we had, most of these films were from the Forties and Fifties and were shot in black-n-white.

I have always loved black & white photography. I even have a slight preference for pen-and-ink and charcoal drawings. The one time I had a conversation with the late Kelly Freas, he and I both geeked out on the superiority of black & white illustration.

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