Anniversaries

Permit me to take a moment out from the current world mess to indulge a bit of personal nostalgia. Thirty Six years ago I was at Clarion, working hard and hoping I could become a writer, in company with some of the finest people I ever met, a number of whom are to this day among my best friends. It was the first time I had given myself over to such a program, had gone out of state to attend school (sort of) and had found the humility to know I couldn’t achieve my goal all on my own.

Did I achieve it? Well, I have a body of work: several novels, nearly 80 short stories, a bunch of reviews, opinions, screeds, etc. I’ve lectured, taught workshops, and even managed an agency for the support of reading and authors. The trail of evidence leading back over three decades would suggest that I am.

Since then, Clarion itself has moved (from Michigan to California) and those people I mentioned? I’ve lost track of some of them, but among those I am still in touch, they’ve done all right. A few of them have achieved more than I have. I’m proud to be affiliated with them. They write cool stories. That was what we all wanted to do, write cool stories. Publish them, share them, write some more, rinse repeat.

But I am not the same. Not in many things. I did not anticipate having to guard myself against cynicism. The thing is—and they can tell you this as plainly as possible and you still won’t fully accept it—the profession of writing can break your heart. In large part because it is so glacial in its machinations. It takes so long to get things published. I look back over my work and I can name only one novel (not a franchise) that did not take close to a decade to find a publisher. Many of my short stories languished in the files before someone picked them up. You have to be patient. Patient. And you have to love doing the work.

But hey, I got to do what I wanted to do.

Thank you. Clarion. And good thoughts to the friends and colleagues, that core bunch I met at Clarion and those I have met along the way. See you in the Future.

Louisville

Many years ago, Donna went to Louisville, Kentucky, on a business trip. The company she worked for sponsored a workshop and put them all up in the Brown and she raved about it ever since. We finally got to go together last weekend, in company with friends, and my first reaction is—we need another week.

The Brown Hotel is one of those landmarks that has been kept up to snuff and is redolent with the charm of a past that clings here and there and is easy to miss unless you’re looking. We stayed three nights. We will do this again.

The excuse (as if one is needed) was a distillery tour, the Woodford Distillery, which is in Versailles, near Frankfort. I had not realized that bourbon can only be called bourbon if it comes from Kentucky. Like champagne, it is a regional hallmark. We have long since discovered Woodford and have yet to taste anything better. Comparable, sure.

The place has been there since 1812 and the original buildings are still there and in use. Beth, our guide, gave a great lecture while taking us through the facilities. Old stone, the odor of baking bread, a heady wheat and corn aroma, and in some ways the quiet of a church.

It has only been Woodford since 1996, but the continuity has apparently never been broken. (Not sure what they did during Prohibition, but whatever, lots of old distilleries survived somehow.) At the end of the tour we of course spent far too much on the product, bringing home some specialty bottles which we intend to savor carefully.

The grounds as well are beautiful. I could spend a week there photographing. Picturesque is both accurate and a cliché. The two things that hold the imagination of folks there seem to be bourbon and horses.

After the tour, we drove into Frankfort. Frankfort, along with being the state capitol, is also the public art capitol of Kentucky. Lots of murals and street sculpture. We didn’t have the time to really go through it. (One thing, the only Frank Lloyd Wright house in Kentucky is in Frankfort, but it is privately owned and not open for tours. Still, it would have been cool to see it.)

We returned to Louisville and later had dinner at one of the local “famous” watering holes, Jack Fry’s Bar & Grill. Fry was a boxer and opened the restaurant and it is one those “everyone has eaten here” kind of places. The food was excellent, but it was too loud to really carry on  any kind of conversation. (I had lamb chops, Donna has a pork chop.)

We Ubered. I don’t usually, but it was not my choice. Watching Maia navigate the rides prompts me to rethink my attitude.

A lot of upgrading seems to be going on. The confluence of neglect and revitalization is everywhere, and walking down to the river into the museum and bourbon crawl district was a treat.

We toured the Frazier History Museum. Again, a great deal of display space allocated to bourbon, but there’s a lot of early Republic history there. George Rogers Clarke has a statue overlooking the Ohio, and the Frazier had an elaborate Lewis & Clarke section.

On Saturday we walked around a lot, which only made it obvious, despite the pleasure, that we didn’t have enough time. So clearly a return trip is in the future.

We lucked out with the weather. Mid-80s most of the time and very cool evenings. We ended with dinner at a place called Proof (you can interpret that as you will) which turned out to be attached to a 21C Museum Hotel. So after dinner, we toured their current art show.

All in all, as near perfect a long weekend as could be had.  I’ll add a few more photographs below

 

 

 

 

The Past In Black & White

In 2001, Donna and I took a meandering road trip from Oakland to Seattle. It was an amazing trip and I made a lot of photographs. The other day, having some downtime, I fired up the scanner and worked some of those over. What follows are from some side stop in Oregon.

 

 

 

I’ll be doing more of these. I have quite a lot of color from the trip, too. Once again I am amazed at what these negatives can produce through Photoshop. The detail floors me every time. Of course, there are those times when the flaws are magnified, and that’s embarrassing, but in general…

I think I need to get myself an auxiliary hard drive to store these. I have far too many negatives, going back to 1971 or ’72, to just keep on my desktop, and I don’t really want to spend all the money on the Cloud. Anyway, the next thing to take care of.

Thanks for visiting.

Images

The one skill I acquired from my stint at my last lab job was color printing. I’d never been interested before. My few attempts in my own lab had been frustrating and unsatisfying. But I had to do it for the job. I learned. But.

But I will always be fond of black & white. I value good b&w more than color (with certain narrow exceptions).

So I’ve been playing a bit. Here, for your pleasure, are some recent results.