The previous image has one false note in it. I did a bit more work on it this morning and came up with this version. Can you spot the difference?
Author: Mark Tiedemann
Road Closed
It’s The Women, Stupid
And now for a romantic interlude in the otherwise dangerous realm of Afghan social morays vis-a-vis the Taliban. A young couple whose families disapproved of their union ran off to get married. Married, mind. Not live together outside wedlock or anything so dramatic, but married. The result? They were shot outside their mosque after a tribunal of mullahs condemned them. Here is the story.
It is difficult seeing this to remember that this sort of thing is really not consistent with mainstream Islam. But, just as with certain splinter groups of so-called christian sects, the Qu’ran is continually used to justify the persecution of women.
Yes, women. Even though the young man was also killed, it is fairly clear that the main issue the Taliban and other groups like it embrace is the control of women. They bar them from school, they bar them from conversation, they bar them from public view, they bar them. All, it seems, they want from women is to be sex slaves for the males selected to possess them and anything—anything—that threatens that is condemned and, as usual, the women pay the price overwhelmingly. There are other issues covered by strict Sharia Law, but we hear little about that, probably because a lot of it is also covered by more tolerant, liberal interpretations of the law. The dividing line is over the women. It is over giving women a voice, a choice, any freedom at all to say no, and defenders of this who deny that it is a mysoginist pathology seem either to not Get It or are lacking any comprehension that women are people.
To be clear, as I stated, christian groups do this, too. Maybe they don’t kill them in the street, but that’s only because in the West, the police really will arrest them for that.
To paraphrase James Carville, “It’s all about the women, stupid.”
There is no compromising on this, as far as I’m concerned. To allow this is to make all of us a little less human.
Titles That Amazon Has Stripped of Sales Ranking
A sample of some of the books that have been stripped of their sales ranking by Amazon’s (now disclaimed) Adult Content Policy:
- Fiction: E.M. Forster’s Maurice, D. H. Lawrence’s Lady Chatterley’s Lover, Radclyffe Hall’s The Well of Loneliness, James Baldwin’s Giovanni’s Room, Rita Mae Brown’s Rubyfruit Jungle, Jeanette Winterson’s Oranges are not the Only Fruit, Manuel Puig’s Kiss of the Spider Woman, Annie Proulx’s Brokeback Mountain, Sarah Waters’ Tipping the Velvet, and books by Nicola Griffith, among others.
- Biographies, autobiographies, and memoirs: Randy Shilts’ The Mayor of Castro Street: The Life and Times of Harvey Milk, Dan Savage’s The Committment: Love, Sex, Marriage and My Family, Quentin Crisp’s The Naked Civil Servant, and Gerald Clarke’s biography of Truman Capote.
- History: David Carter’s Stonewall: The Riots that Sparked the Gay Revolution, Vito Russo’s The Celluloid Closet, Louis Crompton’s Homosexuality and Civilization, and Tin’s The Dictionary of Homophobia: A Global History of Gay & Lesbian Experience.
More books that have had their rankings stripped. Regardless whether Amazon backs off of this, people ought to continue raging against them. They’ll try something else in future if they think they got by without serious damage.
Look What Amazon.com Is Doing
Amazon.com has just initiated a new marketing policy. They are stripping away the sales ranking of any book with so-called Adult Content. Here’s their little explanation:
“In consideration of our entire customer base, we exclude “adult” material from appearing in some searches and best seller lists. Since these lists are generated using sales ranks, adult materials must also be excluded from that feature. Hence, if you have further questions, kindly write back to us.
Best regards, Ashlyn D Member Services Amazon.com Advantage
What this mean in effect, however, is that books primarily with gay and lesbian content are being singled out for exclusion from database searches. It is being applied in a bigoted and surprisingly hamfisted manner to conform to someone’s standard of what constitutes Offensive Material. Adult Content generally means anything with more than coyly suggested sex in it.
However, as a sample of the books not having their sales ranking stripped away, consider these:
–Playboy: The Complete Centerfolds by Chronicle Books (pictures of over 600 naked women)
–Rosemary Rogers’ Sweet Savage Love” (explicit heterosexual romance);
–Kathleen Woodiwiss’ The Wolf and the Dove (explicit heterosexual romance);
–Bertrice Smal’s Skye o’Malley which are all explicit heterosexual romances
–and Alan Moore’s Lost Girls (which is a very explicit sexual graphic novel)
These book sell very well, generally, so it’s obvious that there’s a dollar connection to this new policy. Midlist—the vast majority of books—will be targeted. Why is this important? Because this will delete titles from amazon search engines. It will make a dent in writers’ incomes. It will render invisible Those Sorts of Books. This is 1950s Era censorship and it is a threat to livelihoods as well as the general public’s right to choose what to read.
Here is a cogent article about this.
What I want to say right here has to do with the whole notion of isolating Adult Content to appease the screeching of those who would defend us from our own choices. We see this time and again and it is always the same appeal to Family Values, often expanded with a plea to Protect the Children. I see billboards in certain parts of the country now that declare that Pornography Destroys Families. We are meant to hide that part of ourselves from any kind of public display in the name of some sort of imagined “purity” that must be preserved among children so that they aren’t “damaged” by early exposure to human sexuality.
I’m tired of it. It’s absurd. Not that I think kids ought to be exposed to pornography—not at all—but the whole idea that adults do not have a right to indulge in adult things, without being ashamed of it, from fear that junior might see something he or she is too young to deal with. It does not proctect the children, it makes adults self-conscious, and it falsely assumes that Adult Content is about things none of us should indulge or admit to indulging. It is the age old game of trying to shame people into denying their own sexuality because some people can’t deal with their own.
And in this instance it has serious consequences for writers and publishers. Amazon.com is an enormous source of income for the publishing industry. Along with the mega-chain booksellers, they have the power to influence the acquisition choices of publishers. Which means that something like this can have a direct impact on the kinds of books that get bought and published.
This is an offensive against a wide range of subject matter, topics, authors, and sensibilities. Not to mention that it is hypocritically applied. There is a petition here.
To be sure, we are not talking exclusively or even largely about pornography. We are talking about work that addresses topics that include matters of adult concern regarding sex. By rights, this kind of policy would once again cast Catcher In The Rye back into the shadows of censorship. Censorship.
It is illegal when the government does it to an already published book. But this is private industry and they set policy any way they please.
However the power of the purse ultimately is in the hands of the consumer. We have been in some ways tyrannized over the last three decades by the persistent sensitization of protecting children from adulthood. We have been inundated with the suggestion that the private proclivities of some adults are too odious to be revealed or publicly discussed. In the seventh grade I was caught in class reading Harold Robbins’ The Carpetbaggers. The principle thought this was serious enough to call my mother in for a conference. He made it clear by his word choice and body language that he expected my mother to be appaled at my choice of reading material. Instead, she said that she never censored what I read and that if I couldn’t handle something I wouldn’t read it and she would appreciate it if in future he would not censor me.
She was largely correct. Most of what I read in that novel then went right by me. I don’t advocate handing out Harold Robbins novels to 14-year-olds, but I believe our readiness to panic over such things is ill-advised. Better to discuss these things with kids rather than slap them down or, worse, pretend such books don’t exist. But most importantly, we have to stop behaving as if becoming and adult and embracing adult things is somehow a degradation. I have said before, quite simply certain things are just not for children. Parents should deal with it. I do not accept for an instant that the world ought to be ordered exclusively for their level.
I will not say for their benefit, because people who engage in this kind of idiotic social engineering are not, by and large, doing it for the children—they’re doing for themselves, for what they think the world ought to be like. Using the children is just an excuse.
I’m tired of it. I think we should all be tired of it.
Hand Made Art
I’ve been going over the last few chapters I wrote by hand. Ink pen, by a picture window, sunlight pouring in. For some reason, with some projects, this works when I’m trying to make things real. It doesn’t finish the process by any means, but when I take the time to break my paragraphs down and rewrite them in longhand, it seems to draw me into the world I’m describing. Word choice becomes more precise because, dammit, it’s actually difficult to write this way, physically. I never recall as a kid getting tired of writing with a pen (although I’m sure I must have when I got stuck with one of those godawful punishments “you will write a hundred time ‘I will not be contrary to the teacher’s arbitrariness.”) but I do now.
When I get done with this part, I bring everything back to the computer and start entering the corrections, which then trigger other corrections and reimaginings. I’ve solve a couple of plot points this way.
And, of course, when the whole book is done, I print it out for Donna to hack to bits and this she does by hand with a red ink pen. It all starts over, but by that point I have a coherent narrative and all this is just making if live and breathe.
What gets fascinating sometimes is to be working on a description—for instance, my hero is fleeing for his life just now across the surface of the moon (yes, our moon, which is a place I never thought I’d set any of my fiction, because the moon had been used to the point of cliche so long ago, but there it is) and I have to place him visually in situ. This demands a peculiar kind of attention. I must put myself there and describe how it is. Which is, in some ways, impossible—I’ve never been there—but we do it all the time. I do, anyway. You gather enough information about your locale or what have you and then distill it into a kind of gestalt that stands for direct experience.
This is art.
When you do it right, people will be just as drawn into it—hopefully with considerably less effort—the way you were in the process of constructing it.
This is art.
Seeing. Making others see. And feel, that’s there, too. Coming away at the end with the perception of having been somewhere new.
This is…
You get the idea.
Oh, Please!
Oh please, is there no respite from this sort of thing? Over on Pharyngula is this little bit on the Vatican’s newest attempt to recruit an ideal priesthood, this time free of gays.
Now, the Catholic Church has done screening for centuries. They actually work hard to dissuade people from attempting to be priests because they know how difficult the various vows are to keep. I don’t doubt for a minute that some of this screening is responsible, in kind of an unfortunate “unintended consequences” way, with the number of child sexual abuse cases that seem rampant more in the Catholic Church than in any other. You screen for people who have “normal” sexual proclivities and eliminate the ones who probably won’t be able to maintain celibacy, you end up with (probably) a higher percentage of those who exhibit a lower than average normal sex drive, but may have a higher, shall we say, alternative proclivity…
Anyway, that’s just my opinion. But apparently the Vatican has decided there’s something to looking at alternative sexualities as a deal breaker, but for goodness sake the question still needs to be asked, just what is it they find so offensive and, we assume, dangerous about gays?
By and large, the Catholic Church, for all its faults, possesses one of the more sophisticated philosophical approaches to life in all its manifestations among the various sects. As a philosophy teacher of mine said once, “they seem to have a handle on what life is all about.” Despite the very public embarrassments that emerge from the high profile conservative and reactionary elements within it, the Catholic Church probably has the healthiest worldview of the lot. (I was a Lutheran in my childhood and believe me, in the matter of guilt the Catholics have nothing on Lutherans.)
But they have been electing popes who seem bent on turning the clock back to a more intolerant and altogether less sophisticated age, as if the burden of dealing with humanity in its manifold variation is just too much for them. They pine for the days when priests could lay down the law and the parish would snap to. They do not want to deal with humanity in the abstract because it means abandoning certain absolutes—or the concrete—in lieu of a more gestalt understanding. It would be hard work.
And they have an image problem. I mean, if you’re going to let people be people, then what’s the point of joining an elite group when there are no restrictions of the concept of what encompasses human?
But really…this is just embarrassing.
Bothersome Details
I have come at last to the section of the new novel that I’ve been looking forward to writing for some time. The appearance of the eponymous object referred to in the title, the ship which will take my hero on his great adventure, and though I have been anticipating this part for all this time I neglected to do one little thing.
Figure out what the damn thing looks like.
This is not a small—nor uncommon—problem. I mean, I imagined this scene where the hero is confronted by the ship he needs, appearing as if by magic. An important ship in more ways than just as transportation. This is the Argo, the Golden Hind, the Chimera, the Santa Maria, Nautilus all rolled into one. But while I imagined where it came from and the hero’s reaction to it and all the wonderful things it has to do…
I didn’t imagine its appearance.
So now I’m sitting her toying with all manner of design, just to make it unique and feeling just a bit chagrined. I would like to be like those writers who, when they hit a snag like this, can just plug a placeholder in and go on. But I’ve never been able to do that. It has to be at least close to what it will end up being.
Ah me. At least I know how big the damn thing needs to be. I think.
The Irony of Conservatism
Politics dictated FDA policy? Say it isn’t so!
According to this NY Times piece, the Bush Administration (they get the blame because, after all, he was the Decider) bade the FDA to meddle with contraception when it suited a certain agenda.
What I find so delightful about this, as with the Dover PA decision on Intelligent Design in the classroom, is that a Republican judge, this time a Reagan appointee, made the call.
The thing is, contraception and all that it implies really ought to be a conservative issue. I mean, really—it has all the hallmarks of the last 60 years of conservative philosophy built on the rights of the individual, the freedom from interference being chief among them. You would think conservatives would have leapt on this a long time ago, staking it out as exemplary of the idea of American Individualism and the freedom to act as a moral agent, dictating one’s own destiny and making determinations about how one will live one’s life free from government meddling. Handing both men and women the tools—provided by the free market, to boot—to manage their own lives in accordance with their formulation as individuals of the American Dream should have been a slam dunk for conservatives. They should have been cheering for it since the days of Margaret Sanger.
What is more, given the attitude of the communist states, which dismissed Sanger and the entire notion of family planning as a bourgeois, capitalist plot to undermine the growth of the collective, this should have been part and parcel of rearing a generation of people cumulatively opposed to Soviet style socialism and collectivism.
Everything about the Choice movement smacks of good ol’ fashion American Values! It is the perversity of the debate that is ironic, that it should be those who are castigated as liberal soldiers in the march to socialism and its destruction of all things individualist and true blue American who are the champions of the idea that people ought to have full say in the when and if of having children.
How did this happen?
Well, it has occurred to me that one of the singularly binding features of human political reality is the in-built hypocrisy of claiming that you (whoever you are and under whatever system you live) wish to be free. When you look at that claim—and Americans are by no means exempt—what it means in practice is the freedom to be autocratic in your own way. Even back in the days of the Soviet occupation of Afghanistan you heard members of the Mujahadeen claiming thay they were fighting to be free. But free to do what? And for whom? Certainly they didn’t mean freedom for their womenfolk. No, they meant freedom to be oppressive in their own unique way, and apparently it’s not much different here.
Freedom is a slippery term. Anyone with half a brain realizes that absolute freedom is not viable. Freedom must be tempered by responsibility. The edges of what constitutes responsible use of form is fuzzy, of course, and so we have laws to constrain those whose situations or philosophies run counter to the common good. The irony of the pioneer image, the Mountain Man who went west to escape the constraints of civilization is that they never did and for the most part really didn’t want to. The first thing settlers wanted once they had established themselves was law and order. The mountain men were by and large entrepreneurs who depended on the civilization they supposedly disdained in order to make a living. And they had to perforce accept the local laws of the native populations with whom they trafficked. Freedom does not mean lawless.
What it means is living within a framework according to your own desires. You accept the framework while making your own place within it through your own choices and actions. How well this works out depends on many things.
When conservatives claim to represent American values for freedom, the image they seem to have in mind is one locked in the amber of time that discludes equality for women. It is freedom for men. Not that they do anything and whatever they might wish to do. No, it is that men determine the framework and then work according to their will to build something within it. But the image tends to ignore the framework, seeming to take it as given that it exists as something out of nature, god-given, pre-extant. It is an old, hoary, knotty kind of image that harkens back to notions of the frontier and the need for growing populations and the presumed biblical virtues that allowed us to dominate this continent (displacing, killing, and otherwise bilking the natives out of the land along the way). What it did not include was the image of women running businesses, holding political office, and certainly not bedding down with anyone they liked any time they liked just to have fun.
Basically, though, women as equals alters the framework, and everyone has to shuffle to find a new way to live within it.
So much for the vaunted champions of American individualism. But still, it is a profound irony that the rhetoric—so powerful, so eloquent, so persuasive—should represent the polar opposite of what it is intended to.
But some of them, apparently, seem to get it. Good for you, Judge Korman.
Serendipity do dah
Through purest serendipity, there will be a conference on Germaine de Stael here in St. Louis in May. About five years ago I started working on an alternate history set in 1923 French America. The conceit is that Napoleon never sold Louisiana to the United States, but managed to keep it. There are several reasons for this, a few of them historically legitimate, but it is a science fiction novel after all. In the course of researching the whole Napoleonic era, I stumbled on this woman, de Stael, and came to regard her as a phenom. She was one of the few people toward whom Napoleon seems to have shown actual fear and the only woman, as far as I can tell, and I became intrigued. I found one—count it, ONE—biography, an old thing from the Fifties by a writer whose specialty was the Napoleonic period, and it gave me enough to expand my single novel into a trilogy, the last volume of which I intend to be almost entirely historical.
Needless to say, this would entail considerably more research. The plan was to sell the trilogy as a package to a house big enough to pay me well enough that I could embark on the research and do justice to the matter. Alas, I’m still waiting for that sale and now publishing is in something of a tailspin, etc etc etc.
Anyway, I started making notes for the second volume anyway and decided to see if there were any blogs on the subject. Plenty, but mostly about de Stael’s views on romance—de Stael ran a salon and collected around her quite an impressive circle of intimates and there was a lot of diddling and dallying going on. (One of her closest friends was Juliet Recamier, a great beauty and apparently one of the Major Teases of Europe.)
One blog leapt out—from an academic, Karyna Szmurlo—announcing an international conference on de Stael. I contacted her and she responded kindly, suggesting I attend. Since it will be held at Washington University—practically my back yard—I am going. I have subsequently discoverd a small uptick in the popularity of Germaine de Stael, with several new biographies and at least one novel, all published pretty much since I started this project (trust me, they weren’t around when I was looking) with one or two exceptions. Serendipity indeed. Check the schedule. Heavyweight academic. I doubt I will learn as much there, on the spot, as I will if I can make a couple of good contacts.
Of course, the major work in this area won’t take place on my part for a couple years yet—the second volume is still to be set in the 1920’s, but it will inbtroduce de Stael on stage (yes, I said it was SF, didn’t I?)—but I don’t think that will be a problem. The trilogy will sell or it won’t, no matter when I finish it. Naturally I’d prefer that it sell. Naturally.