The Scroll At Year’s End

I read around 80 books, cover to cover, this year.  Currently I’m in the middle of Gore Vidal’s Lincoln and odds are I won’t quite manage to finish it by the 31st (annoying life-type stuff keeps getting in the way and I do not want to zip through it; too many delicious bits to risk zipping past) but I will say a couple things about it at the end of this.

Of the historical nonfiction I read this year, a chunk of it went into the second volume of the trilogy I’ve been working on for a while (which, before you ask, still has not found a publisher, but I’m going to start the third volume next year anyway).  In that vein, I read The Red Prince by Timothy Snyder, a biography of Wilhelm von Habsburg, one of the last archdukes of the Austro-Hungarian Empire.  Pleasurably readable, this chronicles the familial ins and outs of a complicated imperial family during the period in which empires collapsed all over the world and the scions of such dynasties found other things to do with both their time and their pedigree.  While it may seem odd today, Wilhelm was one of those who “adopted” a nation to champion—Ukraine—which more or less had to be created from whole cloth out of certain ethnic minorites other states claimed.  I read this mostly for the background, which informs the second volume of my own book, but I was so taken by Wilhelm that I inserted him in one scene.

Along those lines—since this is the character I put Wilhelm in the scene with, and because I’ve used him as the bad guy throughout the trilogy, albeit in a somewhat distorted form (we are talking alternate history after all)—I read The Panther’s Feast by Robert Asprey.  I’d read this back in high school—in fact still have the Bantam paperback copy of it—but remembered only that Alfred Redl, who ended up the most powerful intelligence officer in the Austrian Empire, was a traitor, selling secrets to maintain his exorbitant lifestyle as well as his secret life as a homosexual, and set the stage subsequently for the rout of Austria in the First World War.  I chose him for the antagonist and did some fiddling with history to make him a count.  Asprey’s book read like a novel, but he backs up his portrayal with an impressive amount of research.  Again, the full flavor of the Austrian Empire is on display.

Much as it is in Frederic Morton’s A Nervous Splendor, which is largely about Vienna in 1888 and ’89 and the last days of Crown Prince Rudolph.  The cast of characters running through this short but meticulous work brings the period to life—Klimt, Mahler, Freud, Herzl, and Schnitzler.  (I have Morton’s Thunder At Twilight on my TBR pile, which is about Vienna on the eve of WWI.)

In preparation for volume three, which will be set during the Napoleonic Era, I read a decent biography of Fouché, who was minister of police under Napoleon—but also involved in the Directory and worked also for Louis XVIII and the restoration.  His legacy plays a part in the series as the namesake of the state police in my story—the Fouchendarme.  A most fascinating player in that whole period, the man who literally had the goods on everybody and thus not only escaped the guillotine but maintained considerable power.  According to Hubert Cole, whose biography of him I chose, he was a more or less consistent republican throughout that period, but he was also a pragmatist.  He should be remembered for the tremendous number of people he did not arrest as for those he did.

I needed background on Paris as well.  I found one book that purported to be a street by street history which was so difficult to keep straight, I gave up.  (I may try again.)  But I found Graham Robb’s Parisians: An Adventure History of Paris, which is not only very readable, but contains stories that delight (for instance, the tale of how Marie Antoinette delayed the royal escape by turning the wrong way coming out of the Tuileries and ending up doing a long nocturnal circuit of the city, eating up hours while the king and court waited).

Tangential to these—using the writing of a novel as an excuse, really, to range over some histories I wanted to read anyway—I read America’s Constitution by Akhil Reed Amar.  Amar has done a book on the bill of rights as well and more recently published a more speculative work on our “unwritten” constitution.  In this one, he breaks the constitution down by section and analyzes it both historically and legally and sometimes philosophically.  His command of minutiae and understanding of shifting context make this a pretty good work on which to base a deeper understanding of our Founding documents.

I’m becoming more and more interested in early American history.  The last several years have seen major distortions in public by prominent politicians who seem to feel that the general ignorance of the American populace of their own history is sufficient for them to think they can get away with blatant misrepresentations.  But it is a complex history and even people reasonably conversant with the broader outlines of our history can be forgiven for not knowing—well, a lot.  So I have a growing pile of books, one of which this past year was Nancy Isenberg’s Fallen Founder, which is a thorough re-examination of the life and impact of Aaron Burr.  She details in the introduction the unfortunately shoddy history of biographies about this man, of whom most people only know that he shot Alexander Hamilton in a duel and was later tried for treason.  (That he was tried seems enough to convince most people that he was guilty, even though he was thoroughly acquitted and the real traitors in the affair were never indicted.)  Hard upon that, I read Gore Vidal’s novel, Burr, which obviously predates Isenberg’s biography but also seems to anticipate it.  Vidal evidently didn’t think much of Jefferson and his portrayal of some of the key figures in the Revolution may make some people’s back teeth ache, but it is an excellent novel and succeeds in bringing the period to life.  (As noted above, I’m now reading his Lincoln, which thus far feels equally well grounded and evocative of time and place.  Novels and biographies such as these play a very important role in public life, insofar as I think it essential that we do all we can to lance the boil of deification which enshrouds our famous forebears in cauls of inhuman adulatory buffer.  One need not shortchange someone’s reputation for significant achievement by also pointing out that he or she was in many ways just like anyone else, and could be just as much an asshole or an incompetent.)

Among the other nonfiction books I read this year, I can recommend four in particular.  In no kind of order, they are: Thinking, Fast & Slow by Daniel Kahnman, Blue Highways by William Least-Heat Moon, Nom De Plume by Carmela Ciuraru, and Sleepwalking Through History by Haines Johnson.

The Kahneman is a detailed study of how people make decisions, how, in fact, the brain and mind process information and come to conclusions.  While this may sound like a dry tome, it is anything but, as he uses illustrations from his own life as a researcher and tells the story in a lively style.

I have come to the conclusion that one should read at least one Heat Moon book just for the sheer elegance of his sentences.  More, his has a gift for evoking place and mood.  Blue Highways is his first book, a chronicle of a circumnavigation of America by way of the “blue roads on the maps”, the lesser used state roads. In this instance, it is also an evocation of time—the late 70s—before America began to change with the Reagan “revolution.”

Which segues nicely into the Haines Johnson book.  Johnson chronicles the actual workings of the Reagan Administration and the cultural context and tears away the curtain to reveal the man at the levers.  Reagan’s reputation as a “great” president is one of the best pieces of spin control we have ever seen and this books shows why.  It is easy to point to Reagan’s presidency as the time when everything started to go sideways for so much of what America wished to be and become, but it can be tricky making the argument among certain people who venerate the man—a veneration born of image rather than substance—and having a source of details is very useful.

The Ciararu is a delightful history of famous pseudonyms.  Mark Twain, George Sand, George Eliot, Simenon (a lot of Georges!) and others.  Concise biographies open the door on the how and why of these authors and their pen names.  Fun.

I also read Ellen Chesler’s admirable biography of Margaret Sanger, Woman of Valor, which also chronicles the history of the birth control movement in America and the contiguous struggle for equality of women.  Historical amnesia can have serious consequences, especially in a time when gains made decades ago are now in danger of being lost because so many people simply don’t know what it was like and what it took to achieve what now can be taken for granted.  This a good place to start to find the social and political grounding of some of our current absurd culture wars.

These were the significant nonfiction books I read this past year. I’ll do the fiction in a separate post.

I wholehearted recommend everything I discussed here—in case there was any doubt.

12-12-12

Because I can’t resist the date.

Urban Abstract 2, 2012
Circles and Levels and Clocklike Movement

This particular confluence of numerical coincidence won’t happen again this century.  Proper appreciation must be shown.

Or, as Stephen Jay Gould once said, “I have always and dearly loved calendrical questions because they display all our foibles in revealing miniature.  Where else can we note, so vividly revealed, such an intimate combination of all the tricks that recalcitrant nature plays upon us, linked with all the fallacies of reason, and all the impediments of habit and emotion, that make the fulfillment of our urge to understand even more more difficult…”

It is in our nature to reject coincidence as simply what it is, especially when it comes to cosmic events.  Long ago human beings decided the devices we invented to keep track of time actually meant something to Time itself, as if the universe was somehow required to acknowledge our conceits.

Still, even as a purely invented coincidence, 12-12-12 is kind of cool.  How many babies will be born today and be considered extra special just because?  If someone happens to win a lottery today, the efficacy of numerically based sympathetic magic will be reinforced, even though it will still have exactly the same relationship as the odds of a coin face coming up with each of a hundred tosses as if the collective numbers of heads or tails somehow imposes necessity on each one (namely, zero).

On the other hand, any day you wake up with something to marvel on is a win, so I’ll take my small pleasures where I can.

I’ll be writing up a year-end assessment in a couple of weeks.  Soon it will be 2013—a numerical change about as meaningful as today’s date in the greater scheme of anything.  For instance, it is 2012 in our calendar system (Gregorian—the older Julian is similar, lacking but 13 days, which would make today the last day of November, with today’s numerically alliterative advent still to come) but 5773 in the Hebrew calendar. (A more concurrent calendar is the Holocene, which starts at the beginning of the Holocene Era—ours—by adding ten thousand years.  So it’s 12012 H.E.  I like that.)

It’s 1434 in the Islamic calendar.  Sometimes I ponder the significance of time lapsed in cultural evolution to try to understand where a given institution is along the line.  In this case, I remember where christianity was in 1400 when seeking to comprehend current attitudes and events.  They were on the verge of the Reformation, with seething splinter groups roiling under the surface about to explode into a family feud they’re still trying to settle.  Hm.

One of the youngest calendars is the so-called “Minguo” which is from the Republic of China (Taiwan) and dates from the founding of the Republic in 1912.  Their centenary was just celebrated.  It’s 101 in the ROC Minguo calendar.

We’re fortunate not be stuck using the Unix calendar, which is expressed in seconds.

The true measure of time is change.  Change in the environment, certainly, but for our purposes, changes in ourselves.  There is no calendar for such things.  Some changes are temporary, some seasonal, others permanent.  They may be profound or just occurrences that seem to have little import.  It’s a question of where we’ve been and where we’re going.

Passagway
Passageway

It’s a common fallacy that our lives are telec, that they have a narrative structure, a beginning and an end in terms of purposes and goals.  If they do, it is a fact that we impose such things, but we’re not born with them.  (Born into them, perhaps, in the case of those who arrive swaddled in family expectations actively imposed.)  We have a start and a finish, which is not quite the same thing.  In between, it’s up to us to find meaning and purpose, make it out of whole cloth if we must, but waiting around for cosmic enlightenment to tell us what we’re here for invites a wasted life.  In an attempt to impose structure and suggest meaning, humans have invented numerous things—like calendars, with attendant rituals and anniversaries.  Out of the matrix of such things many of us find relevance among ourselves and that is not a bad thing at all.

In truth, each of us brings to such things what we have and are, whether we accept others’ definitions or not.  I wish people Merry Christmas despite the fact that I impute no validity in the defining mythology, because Christmas is what we make it.  I don’t have a lot of patience for people bent on souring everyone else’s holiday by indulging a political or theological hissy-fit—on either side of the Belief Divide.  I have my own resonances with it and take pleasure from the memory and æstethic significance on which I accrued that meaning.  I watch A Christmas Carol every year, drink egg nog, embrace my friends, and nurture a hearth-glow of fellowship.  I do not have to accept the fables to experience a “holiday spirit” every bit as real as those who do—nor do I appreciate those who insist on dumping cynicism and political scatalogy onto the season in an attempt to ruin it for everyone else in a misguided pursuit of some adherence to reason.  Truth and fact are often only coincidentally related, and the truth of the season is something greater than what is contained in the details of a given story.

The Gift of the Magi is my guiding narrative…for what it may be worth.

Happy Holidays, Merry Christmas, Season’s Wishes, etc etc etc.

Whatever calendar you use, have a good day.

Place Marker

Because I have nothing much to say this morning.

 

Machine Bones

 

However, our reading group is doing the final canto of Dante’s Paradiso today.  I will have something to say about that.  Later.

I Love Jazz

We had a treat recently and I wanted to share a bit of it.

I like jazz.

No, that’s not accurate.  I love jazz.  So imagine my delight to be asked to work an event at our local jazz spot, Jazz At The Bistro, selling copies of John Pizzarelli’s new memoir, World On A String, for Left Bank Books, during his quartet’s Saturday night performance.

There is something about live jazz that just goes right into me.  A good group of masterful musicians, having a conversation on stage, it’s just magic.  Pizzarelli is one of the best guitarists in the business and frankly, I didn’t fully appreciate just how good he is till this event.

You can play a game listening to a musician of picking out influences.  Who is it this player derived inspiration from?  I heard Les Paul, Joe Pass, Wes Montgomery, Larry Coryell, half a dozen others, but a truly good musician takes all those and makes something new out of them, something all his or her own, and Pizzarelli is at that level.  It was an amazing show.

So I thought I’d share a bit with the video below.  Oh, and please follow the links above and buy the book and his albums.

 

 

John, by the way, is the son of legendary guitarist Bucky Pizzarelli, who seems to have been around forever and been on damn near everything.

Archive

I have published 529 posts on this blog.

Absurd.

I started the Distal Muse as part of an effort toward self-promotion, an effort that has in some ways failed.  But in the years since it was first established (I think it’s first incarnation, as part of a ridiculously complicated site, was 2003) I’ve used it to hone a skill—the short essay—and indulge whims that I frankly have little interest in trying out professionally.  After that original site was replaced by the current one, in 2006 or ’07, I started using it for all sorts of things, including putting up original art.

I look back over what is here and I’m pleasantly dismayed at the variety.  Not altogether pleasantly nonplussed by some of the content.  But, for better or worse, it’s all mine.

Some of it, I think, is not half bad.  (May not be half good, either, but that’s a matter of taste.  I think.)

Since its commencement, I’ve added a FaceBook page and, more recently, Twitter (at my agent’s urging; I’m not really sure how to use that one), to which I link my new posts.  Since one of the purposes of this whole enterprise is to ATTRACT ATTENTION TO MYSELF (to gain an audience, you understand), I thought I’d start using the archive, and link to older posts that may pique the interest of some of the good folks who now subscribe to my various digital presences.

Obviously, anyone can peruse the archive any time they want, and to my pleasant surprise, some do.  But I thought this might make it easier.

Yes, I’m trying to get more regular readers.  But I also have a small vanity which chafes at the idea that past work will fade into total obscurity.

So while I may not post as much new work here as I have been lately (an inordinate amount of which has been political—duh, I wonder why!), I hope folks will indulge in my previous babblings and may find something worthwhile therein.

Erosions

Foggy, Raw, Learning Curve

Newfallen

 

One of my more annoying personal characteristics is a seeming aversion to instruction manuals.  For someone to whom reading is one of the four or five great pleasures of life, for whatever reason, I cannot abide the tedium of reading a set of instructions.  For one thing, nothing seems to stick until I actually try to perform the functions laid out.  I might as well be reading Linear-B.  (Oddly, I can read theoretical texts without much difficulty—physics, art, philosophy, psychology, and so forth—it’s only step by step “how to” works that both try my patience and do me no apparent good.)  Of course, when I do read the instructions, something does stick and I find the task at hand less baffling.  Nevertheless, all my life, I have my hands on what I want to do before getting past the table of contents in the manual.

Where they help is when I run into something that stops me in my tracks.  (Let me in my defense say here that I am not one of those males who make a fetish of not asking directions; I have no problem stopping on a road and asking someone where I am and how to get elsewhere.)

Anyway, I’ve been, the last few years, teasing my way through digital photography.  I’ve been posting the results as I go along.  I broke down a couple years ago and bought a new camera, a Canon 60D, which is not the top-of-the-line (good heavens, I  didn’t have five grand!) but is not an amateur machine, either.  It’s about what I needed to get me started and produces more than acceptable results.  (I suspect I’m going to have to pop for a better lens one of these days, not to mention a second one to extend the range.)

To date I’ve been shooting everything in JPEG and working with the images in Photoshop 7.  I’ve been hearing and reading about shooting in RAW all this time, but the JPEGs have been very amendable to my manipulations and I’ve been learning my way through Photoshop handily.  (A friend came over a couple of times to show me the initial stuff, which made the instructions make sense.)

Lately, I’ve been running up against the edges of quality.  Nothing I could quite put my finger on, just…an impression…that these photographs could be sharper or a bit richer…what finally came down to a sense that they simply didn’t contain enough information.

So I thought it was time to try RAW and see if it made a difference.

It did.  The first one being, I can’t open the files in Photoshop 7.  A quick check around the intraweebs and I discover that I need a plug-in for that.  Hm.  A hundred bucks.

However…

The program that came with the camera does open them and there is a, what I initially thought was a cruder, processing program included.  Well, there are many things I don’t readily see available, but I can work with the files and convert them into JPEGS, which I can then pull into Photoshop for further work.

And it does seem that there is more to work with.

Back in the ancient past, we used to debate lens quality versus film acuity, the amount of information a given lens could transmit and the ability of a particular film to “see” it.  On paper, at least, it always seemed a silly argument, because even the cheapest aftermarket lenses transmitted far more data than the finest film was capable of recording.  And yet, there was a reason Leica lenses were so damned expensive.  You could see the difference.  It was palpable.  What information was recordable by the film was intimately dependent on how much information it had to, for lack of a better word, choose from.  In the end, it was a signal-to-noise problem, classic amplitude/frequency physics.  I was pretty good for a time at distinguishing the quality of the glass, as we said, from the quality of the image on paper.  In my own work, I could see it clearly, even though more often than not, it was not quantifiable in other than æsthetic terms.

If the quality isn’t there, it can drive you nuts, even if in every other respect there is nothing wrong with the image.  It’s like a noise in a motor than only you can hear.

So all I want for Christmas (for now) is the latest version of Photoshop (or equivalent) that allows me to work in RAW without having to buy a damned plug-in.

Why not get the plug-in, you ask?  Excellent question.  Basically, because I have rarely had any luck downloading those blasted things and installing them properly without days of struggle fixing whatever went wrong in the negotiation.

Besides, I’m sure what I’m using currently is antiquated.

Meantime, I seem to have managed to step up the level of quality this way.

Eroded Ascent

Post Thanks

I asked Donna this morning, “Is this the first Thanksgiving we’ve spent entirely alone, at home?” She thought for a moment and nodded. “I think so.”

Just as well.  I seem to have caught a bug that has churned me up a bit the last couple of days.  Not bad, just very uncomfortable, leaving me not in a very congenial mood.

But it got me thinking on the nature of the day and its uses.

 

 

We lounged, walked the dog, talked, read a little (I’m finishing up a stack I’ve been working on for a time and this morning completed William Least Heat Moon’s Blue Highways), talked some more, napped, ate a little.  We did not engorge.  Neither of us felt good enough for a feast, so perhaps we came through the day more clear-headed than in past years.  We watched a favorite movie—Pleasantville (which I still think is one of the finest films ever made, easily in my top 100 if not my top 20)—and thoroughly appreciated each other.

Our tradition has been to take the first invitation that comes for the day, but this year the one that came with geologic regularity did not come—regrettably, I suspect politics has scuttled that one—and we demurred on another.  No matter, I’m glad it worked out this way.

I skim on a light froth of gratitude most of the time.  I subscribe in no way to the notion that what I have has come entirely by my own hand.  I have no problem crediting others for their contributions to who I am and what I have done.  I’ve been through periods of ill-advised hubris, thinking myself wholly self-completed, and all it left me with was an ashen taste of disappointed affirmation when I realized how unfair and ungenerous such an attitude can be and how hurtful it is to express it.  I am grateful.

I am grateful for my friends, of whom I have more than my share and who are among the best people I can imagine (and I have a pretty good imagination).  There is no way to adequately assess how important they are and have been to my life.  We have among us constructed many a worthy moment, torn through seminal evenings with laughter, tears, and unspoken commitment, reinvigorated shattered hopes among each other, and sat through despondencies together like old sailors waiting for the tide.

I am grateful to live in a place, in a time, where I can think any thought, read any book, make any art, and live according my own principles, and all without having to steal such privilege from anyone else around me.  I live in a house of books and music and art that resonates with songs of imagination and whose walls are only place markers by which the true horizons of my inner life can be appreciated in the comparison.

I am grateful to have the wherewithal to understand and appreciate what I have.

I like to think that in some small way my life has meant something, if only to a few people, and that I will not have spent my time frivolously and without effect.  If this single vanity is not self-deception incarnate, then I am grateful to have lived to a purpose.

I’m grateful for my dog.

I am mostly grateful to have a companion who shares with me without reservation.  Donna has been the best, insofar as I can understand the term, a soul mate, the one with whom I have both laughed and cried the most, and with whom this life has taken on the contours of its present delights, of which, though I complain often of what I have not yet achieved, there are many.

Everything else is secondary, transient, novelty, replaceable, but for which I am also grateful.

To all of you who have added grace and joy and the pleasure of shared experience to my life—to our lives—I thank you and hope the coming year will see a few of your hopes fulfilled.

It’s a good life.  Appreciate it.

Where Is Found A Soulful Mind?

Roger Ebert, the film critic, recently wrote a piece about the possible death of the Liberal Arts.  It’s disturbing, not so much for the dire forecast of a nation of business majors and software geeks who know nothing of Montaigne, Sontag, or Charlie Chaplin, but because of what it implies about those who keep track of Culture.

We are university-centric in our appraisal of where the Culture lies, where it is going, and what value we produce of what may be called a national geist.  Ebert talks about the days in which writers were celebrities and the universities, if not the actual mothers of such luminaries, were at least their midwives.  If there is one thing we have all learned in the last half century, though, it is that such institutions—and their products—are expensive.

Blame for the death of the Liberal Arts is lain at the feet of conservatives, but here is where I would like to start teasing these definitions apart.  Genuine conservatives, those with whom I grew up and became most familiar, were the champions of the Liberal Arts.  This was before the term “Liberal” became inextricably tangled with the concepts of “permissiveness” and “socialism.”  Because of the constant hammering both liberalism and conservatism have taken in recent years from a class of philistine whose twin deities are money and conformity, we have lost sight of what both of those labels originally meant and, worse yet, the kind of country they informed.

William F. Buckley jr. may have been many things, but poorly-read was never one of them, nor was he an advocate for the kind of close-minded censoriousness that has poisoned the Right today.  Presently, George Will carries the torch of a conservatism fast vanishing in the flood of a reactionary myopia that passes for conservative but is nothing but avaricious opportunism dressed up in an ill-fitting suit of Victorianesque disapproval.

But then Ebert goes on to remark on his comment log and how refreshingly well-read, educated, and enthusiastic his readers seem to be.  The Liberal Arts is not dead or even dying.

But it may no longer have a comfortable place in universities, which charge a small fortune for an education with which the buyer not only wants but needs to cash in.  Degrees in philosophy, except for a rare few, pay poorly in a job market grown increasingly cutthroat by dint of the exclusion of the kind of broad outlook once supplied by a Liberal Arts education.  Why bother with Thomas Paine when he died poor, a loser?  Or Herman Melville, who had to quit writing because it didn’t pay well enough to support him?  One could go down the list.

And yet.

People read.  Widely.  Minds rove over as broad a range of interests as at any time in the past—more, as there is more to learn, to see, to experience.  It would seem the Liberal Arts is far from dying.  It has only moved out on its own.

I’ve encountered students who refuse to read.  They want to know only those things that will garner them good salaries and all that this implies.  Success.  Goodies.  “Why read F. Scott Fitzgerald?  Hell, I read Ayn Rand in high school.  That’s my kinda culture. ”

I have no time for them.  Were I a teacher in a college, I’d flunk them and send them from the hall.  They are as clueless and feckless as they think others are who pay attention to the contents of the mind.

Tell me this—once you have the six-figure salary and the 2200 square foot condo and the BMW, what are you going to do with yourself in those moments when you’re the only one to keep you company?  Other than winning a footrace, what have you done?  When you look around for something to Do, how will you recognize what is of value, of worth, of substance?

I know, most people like this could care less.  If they don’t have any culture now, they think, if they think about it at all, that they can always buy some later, when they’re “secure” or ready to retire.

Unfortunately, by then they may only be able to recognize “value” as the price tag on the frame rather than the world that’s on the canvas.

I Voted. How ‘Bout You?

That’s pretty much it.  Doubtless I’ll have something to say tomorrow or the next day.  For what it’s worth, I’m making no predictions.  It rather surprised me how close Romney has come and I no longer know what my fellow citizens will do.

So I’m working on fiction, reading, kicking back.  For now, here’s a place marker.

 

Heartland Sonnet