A couple of recent eruptions over literary works have caused me to contemplate a curious aspect of the cultural situation. The move by Roald Dahl’s publisher to “bowdlerize” his children’s books, to render them more palatable to contemporary audiences, and the to-do over the creator of Dilbert’s public expressions of problematic attitudes. These are the most recent after a long string of reactions to artists who turn out to have opinions, beliefs, and political positions seemingly at odds with their work. Or not. Some of the review of said work has all the makings of a minor industry of reassessments based on the failings of the creators.*…
