Proximal Eye – Page 11 – Mark W Tiedemann

Shifting Ground, Changing Paths, Constructed Worlds

March 7, 2018 No Comments

We talk a great deal about World Building in science fiction and fantasy, but more often than not I suspect it refers to the equivalent of interior design and decoration. If the motifs of costume and manners conforms to a general tableaux of architecture, climate, and the suggestion of a history a bit more than two months old, with none of the corners out of place, it is hailed as an example of world building. In fact, it may well be nothing more than sticking antlers on the dog, painting the castle mauve, and handing out swords to characters who would be otherwise right at home in any particular middle period Court one cared to name, and reviving institutions we are well rid of and renaming them or layering them with mystical significance or “bloodline” gravitas. World building worthy of the description requires more, and some understanding of how a holism evolves. (I find it noteworthy that when discussing this,

Music and Popular Trends

March 2, 2018 No Comments

Anyone who knows me for any length of time eventually learns of my sometimes intransigent tastes in music. (Not only music, but whereas other art forms prompt conversations about form and substance that remain largely theoretical, analytical, and impersonal, when it comes to music, especially popular music, things can get a bit touchy.) I have a minor musical background, I play (or play AT) keyboard and guitar, and in my youth I had fantasies of being a rock star. I grew up with a wide range of influences, although in the end it was a pretty static assembly. My parents had about fifty records. A wide mix, ranging from Strauss waltzes and Grieg, to Chet Atkins, Bobby Darin, movie soundtracks, Peggy Lee, one odd Tennessee Ernie Ford record, and Les Paul. A few other oddments, including some Gershwin, Nat King Cole, and a couple of jazz records I do not remember clearly. But there were also music programs on television

2017

January 29, 2018 No Comments

Looking at my list, I read, cover-to-cover, 51 books in 2017. That doesn’t seem like much to me, but knowing there are people, even people I know, who haven’t read one book in that time, it’s probably in the top something-or-other of national averages. At 63, I’m not sure I care anymore. It never was about quantity, as I’ve told myself time and again, but there are so many good books and I want to read them all! We have engaged another study group this year. Rousseau. When we agreed to join, we thought we were doing just one of his works, his Second Discourse on Inequality. Come to find out, our guiding light wants to cover all the major Rousseau. Next up is Emile. I haven’t read Emile since high school. I remember little about it, other than it served to enrich a later reading of C. J. Cherryh’s Cyteen. Very well. Rousseau it is. But in 2017, I felt torn between two kinds

Star Wars and Reality

January 3, 2018 No Comments

Back in 1977, Samuel R. Delanyperhaps one of the best science fiction writers of the 20th Century, certainly conceptually in the top 10 of any honest assessmentwrote a review of the first Star Wars film for Cosmos magazine. In it he pointed out that the universe George Lucas had given us was essentially caucasian, largely midwestern, and predominantly male. While Princess Leia was without a doubt one of the more subversive cinema creations in SFdefinitely not a princess, kick-ass, occasionally crude, with all the can-do anyone could possibly want from men with the Right Stuffshe was the only female in the movie other than the tragically short-lived Aunt Ru and the odd extra in the command center on the rebel base. To quote from his review: “Sometime, somewhere, somebody is going to write a review of Star Wars that begins: ‘In Lucass future, the black races and the yellow races have apparently died out and a sort of mid-Western American

Profits, Patents, and Pirates

September 4, 2017 No Comments

Annalee Newitz, cofounder and editor-in-chief of io9, has written a novel that has all the signs of being a major touchpoint in science fiction. Where in previous generations, physics or information technology have been at the heart of seminal works, speculations on nanotech or colonization tools, ecology or libertarian excursions in ruminations about personal power, Autonomous bases its meditations on questions of ownership and resource allocation in a future where both are matters of patent law. If this seems like improbable grounds in which to grow a gripping, nail-biting action plot, reconsider. Wars are fought over exactly these two issues all the time. In fact, it would be difficult to name a war that wasn’t unleashed over both factors. Even those which might be described by other metrics, their prosecution still depended on these things. We live in an age wherein most of the time we hear about such conflicts as courtroom exercises, involving lawyers and academics. Even so, to assume

Stars, Orbits, Crossed Trajectories

June 7, 2017 1 Comment

William Least Heat-Moon is renowned for his travel writing. Blue Highways, his first book, is a marvel of fine prose, careful observation, poignancy, and great storytelling. It is deservedly considered a classic. Books that followed were no less fascinating, and each took an unexpected route to give us a look at life on various roads, some by water, others by history, always with an eye on the landscape. Now he has turned his skills at close observation to fiction. Celestial Mechanics is Heat-Moon’s first novel and it is as unexpected as any of his past works. Silas Fortunato, thirty-three, has come home to inhabit a hundred acres inherited from a deceased aunt, and by happenstance encounters Dolores Heppernan, who goes by Dominique, arguing with an inn-keeper over a misplaced reservation. Silas gives her his room and so begins his pursuit to bind the fey Dominique to him. He is smitten. In an idiosyncratic courtship, he convinces Dominique to marry him and

Strange Inversions

May 31, 2017 No Comments

Jeff Vandermeer has been mining the hills of what for a time was called New Weird for years. His Veniss Underground stories are exemplars of the power of the oblique, the odd, the displaced, the exotic in service to demonstrating one of the principle delights of science fiction, namely that setting is character. His newest novel is another example of how landscape transforms imagination and redirects the focus of our self-reflection. The City—unnamed, unlocated, but somehow American for all its desolate ambiguity—has been reduced to the condition of decimated near-abandonment. We are told the entire world has undergone a series of collapses and that this city is representative of most of it. Those remaining pick over what is left, and there would seem to be plenty. But there is a constant danger, the looming presence of Mord, a giant bear that can fly. It tortures the landscape and the survivors, eats indiscriminately, slams about remaking the skyline according to no

Future Infernal

February 22, 2017 No Comments

Samuel R. Delany Jr. has been publishing science fiction since 1962, with the novel The Jewels of Aptor, which can be read as either post-apocalyptic SF or as a quest fantasy. The complexity and range of his work consistently expanded until it reached an apparent apotheosis in the 1974 novel Dhalgren, a massive work that supports comparisons to Joyce, Pynchon, and Gaddis. The novel immediately following Dhalgren, while strikingly different, is a similarly impressive advance over previous examples of a given format and exhibits no retreat from the ambitious expansion of possibility which has characterized each entry of Delany’s oeuvre. In an essay, Delany writes: “I feel the science-fictional enterprise is richer than the enterprise of mundane fiction. It is richer through its extended repertoire of sentences, its consequent greater range of possible incident, and through its more varied field of rhetorical and syntagmatic organization.” from the Triton Journal. In the recently released volume one of his journals, we find

Mark W. Tiedemann

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The Proximal Eye