Author. Blogger. Photographer.

The Proximal Eye

Welcome to The Proximal Eye. I’m dedicating this blog to book reviews, commentary about art, film, sometimes music. You might ask what my qualifications are. Well, I’ve published twelve novels, scores of short stories, and reviews in several magazines. I’ve been publishing professionally since 1990, nominated for a couple of awards (didn’t win any), and have conducted workshops and seminars. I was president of the Missouri Center for the Book for a number of years. Beyond that, I’ve been an avid reader for most of my conscious life.

I live in St. Louis, MO with my companion and a constellation of some of the best friends possible. For whatever reason, some folks find my opinions worthwhile. I hope, at least, you will not be bored.

The Proximal Eye, Mark W. Tiedemann

Insane Ants

Roadside Picnic is a classic of science fiction. Published in 1972, it is one of the few Russian SF novels to receive exposure in the United States in teh aftermath of a chaotic period in the Cold War, published in translation in 1977. The Strugatsky Brothers, Boris and Arkady, were quite popular in Russia, but for most readers here, Roadside Picnic was pretty much the only familiar title. Deservedly so. Well-crafted, unexpected, richly characterized, it holds up well, and in most respects avoids the often fatal “dating” that can occur with older science fiction. In some ways, it feels like a precursor to Jeff Vandermeer’s Annihilation. There has been a Visit. Aliens arrived, apparently in many places around the Earth. And then left, leaving behind Zones in which mysterious objects, peculiar bubbles in which physics seem not to work as expected, and traps. Time moves inconsistently within them in certain spots. While there are no physical barriers to the Zones,

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Resonance of the Modern Era: Erasmus, Luther, and the Common Apocalypse

One of the last books I read in 2019 is Michael Massing’s Fatal Discord: Erasmus, Luther, and the Fight for the Western Mind.  An odd choice, perhaps, but I have my reasons. At over 800 pages, the book is a thoroughly detailed dual biography as well as history of the period. Luther and Erasmus aside, the period itself is worthy of study because it is, arguably, the beginning of the modern era, if for no other reason than the fact that this was the time wherein the apparent monolithic edifice of Catholic Europe—The West—began to fragment into what we now regard as normal, with its proliferation of contending ideologies, both religious and secular, the rise of the nation-state, and first irreparable chink in the armor of divinely-sanctioned autocracy. During this time was not only the first explorations and colonies in the so-called New World, but also the first inarguable advances of science in the face of tradition, and the beginnings

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Cinema Versus ‘Theme Parks’

“I don’t see them. I tried, you know? But that’s not cinema.  Honestly, the closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks. It isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being.” Martin Scorcese said that in an interview about Marvel superhero movies. The observation has sparked some controversy. A lot of people heard him trashing their favorite form of movie, others—including Francis Ford Coppola—found resonance with his statements. The part of his statement I disagree with is the part that I hear every time someone from the literary world suggests science fiction is not “real” literature—because it doesn’t deal with humans experiencing authentic emotions in a meaningful context. In its own way, Mr. Scorcese has recast the classic dismissal of science fiction and fantasy in regards to film. To which I would say, “Care to

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The Myopeia of the Lit Club

“There could be an opening of a mental space for novelists to explore this future, not in terms of travelling at 10 times the speed of light in anti-gravity boots, but in actually looking at the human dilemmas of being close up to something that you know to be artificial but which thinks like you. If a machine seems like a human or you can’t tell the difference, then you’d jolly well better start thinking about whether it has responsibilities and rights and all the rest.” I read that with perplexed bemusement. It was said in an interview by one Ian McEwan, who has published a novel about artificial intelligence and somehow feels he is the first to discover that this thing has serious implications for people to be expressed through literature. Thus he now joins a long line of literary snobs who have “borrowed” the trappings of science fiction even as they take a dump on the genre. I

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The Downside of Expanded Participation?

It occurred to me the other day that there is a serious problem with the way audiences and films interact these days. It’s a relatively new problem, one that has grown up with social media, but it has roots in an older aspect of film production, namely the test screening. The idea being that before a general release, a film is shown to select audiences to gauge reactions and tweak the final cut before it is set free into the zeitgeist.  There’s logic to it, certainly, but I’ve always been uncomfortable with it because it’s an attempt to anticipate what should be an honest reaction to a work of art.  I try to imagine Rembrandt showing a painting to a client halfway or two-thirds finished and, depending on the reaction, going back to change it to conform to some inarticulate quibble on the part of someone who has no idea what should be on the canvas. Art, to a large

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Of Stars and Stories

Late in Record of a Spaceborn Few, Isabel, an Archivist on one of the ships of the Exodus Fleet, is trying to impress something of importance on a young, puzzled, possibly frightened boy who doesn’t know what to do—about anything.  “Our species doesn’t operate by reality. It operates by stories. Cities are a story. Money is a story. Space was a story, once.” We talk these days about narratives. Political narratives, social narratives, religious narratives. Sometimes it seems we forget something real is behind a narrative and mistake the narrative for the reality. Often, this leads to awkward disconnects and sometimes tragedy. Another young man in the novel follows the stories and ends up the focus of a story he never anticipated, with unfortunate consequences. Which only highlights the accuracy of Isabel’s statement. We operate by stories. Throughout the three novels Becky Chambers has thus far published, stories form the connections, the bridges, supply the purposes and meanings, and lead

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Cities, Colonies, Past, Present

We dream of colonizing the stars. Or being colonized. Or simply contacting other sentient beings. We look up on a clear night and reject the ancient notion that we are all alone. We understand too much to accept that. But some of us still insist on it and that insistence could constrain our ability to recognize realities. Charlie Jane Anders has chosen to pursue that particular human blindness as the basis for the situation in her new novel, The City In The Middle Of The Night. Humans live on a world arrived at after long journey from Earth in a ship that is fast becoming the substance of myth. The Mothership is gone, or at least no longer responding to the humans on the surface, and generations have passed as the colony has bifurcated into two urban concentrations of strikingly different organizational style, with a lot of unaffiliated people strewn across the narrow landscape between them. Xiosphant is a cloistered,

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2018 and Reading Lists

I saw a great many lists in social media this past year. “One Hundred Books to Read Before You Die,” “Only a Genius Has Read 10 of These,” “The Best SF Books Ever.” Clickbait, certainly, but some of them were amusing and even added some titles to my Must Find list. By and large, such things are amusing at best, rarely instructional, and often mind-numbingly dumb. Especially those derived from on-line polls, where instead  A Book, whole series end up included, and no one is vetting for obvious errors.  (Shakespeare did not write novels.) Not to say lists aren’t useful. One was published—as a real paper book—this year that I find really interesting.  1000 Books To Read Before You Die, by James Mustich. Part of a series of books with the same general idea. What sets this apart is that the books included really are remarkable and the list comes with excellent precis and commentary about why you should read

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The Bother of Voices and Love’s Trials

Telepathy. One of the several traditional tropes of science fiction.  The 19th Century saw stories featuring psychic powers, including some mind-reading, and the idea marched along into the 20th Century and even gained a brief bit of potential legitimacy with the work of Joseph Banks Rhine who attempted to substantiate claims of second sight, mental communication, and so forth and set the template for “scientific” study of suspected mental powers. While his methodology ultimately proved flawed and the research became tainted, the idea never faded from science fiction (and even informed some very real Cold War research) and marched forward to the present. Connie Willis has now entered the lists with Crosstalk. Briddey Flannigan works for Commspan, a phone company that sees itself in direct competition with Apple. They are sweating the new roll-out of a phone they have yet to develop. Sweating it because Apple is about to roll their new iPhone out and it may mean the end

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Purity In Fiction (or, Jonathan Franzen’s Latest Attempt At…Something)

The most recent entry in the annals of attempted applied snobbery came recently from Jonathan Franzen, who, while certainly a gifted prose stylist, seems bent on making himself into the grumpiest white literary snob on the planet. Disclaimer: I have read Mr. Franzen’s essays.  I have tried to read his fiction, but quite honestly found nothing much of particular interest. A cross, perhaps, between Dickens and Roth, with leanings toward Russo and Gardner. I admit to having been seriously put off by his antics back when Oprah Winfrey tried to draft him into her popular reading group series. I also admit that I’ve never been quite sure what to make of all that. Till now. He has offered Ten Rules For Novelist’s.  By the tenth you realize you are being lectured by someone who wishes to be regarded one way, suspects he may be regarded another way, but is afraid he is not being regarded at all, at least not

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