Author. Blogger. Photographer.

The Proximal Eye

Welcome to The Proximal Eye. I’m dedicating this blog to book reviews, commentary about art, film, sometimes music. You might ask what my qualifications are. Well, I’ve published twelve novels, scores of short stories, and reviews in several magazines. I’ve been publishing professionally since 1990, nominated for a couple of awards (didn’t win any), and have conducted workshops and seminars. I was president of the Missouri Center for the Book for a number of years. Beyond that, I’ve been an avid reader for most of my conscious life.

I live in St. Louis, MO with my companion and a constellation of some of the best friends possible. For whatever reason, some folks find my opinions worthwhile. I hope, at least, you will not be bored.

The Proximal Eye, Mark W. Tiedemann

Crossovers

Cross-genre experimentation often produces interesting failures, less often brilliant chimeras.  The novelty seems to open up possibilities.  Steampunk has been one of the most successful in recent years, but it seems to be wearing thin as too much of it tends to be old-fashioned occult or mystery, rather Sherlockian (or more Wilkie Collins) in essence with a thread of SFnal gadget-geekery running throughout.  Often it’s just a new suit of clothes disguising an old set of bones. One of the things that has rarely been successful but is perhaps the oldest of these mix-and-match tropes is the attempt to blend science fiction and fantasy.  Try as we might, it usually ends up being demonstrably one or the other merely borrowing the trappings of its often unwilling partner.  Roger Zelazny was perhaps the most sucessful at it, but he managed it by bravura sleight-of-hand, or wordcraft, rather than through genuine alchemical mergers.  What we generally find are stories that set the

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Emerson

Okay, this is hard.  Very hard. Keith Emerson is dead.  Apparently from a self-inflicted gunshot wound. He was 71. That in itself is difficult to square with the pictures in my mind of the epic artist of the heyday of one of the greatest musical outfits of the 20th Century. It’s tempting to get into the justifications for Keith Emerson’s place as a composer and performer, what his music meant for rock, for classical, for a generation of people who found in his work an uncompromising dedication to a particular aesthetic and a level of quality found in few pop acts. Indeed, to even use that term—pop act—seems to diminish the breadth of the ambition he displayed throughout his career. Post Sgt Pepper’s, rock music—what then without much hesitation or embarrassment was termed pop music, in the sense of it being “populist” as opposed to “elitist” and embodying an idea that popularity and depth were not mutually exclusive—went into a

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In Review

2015 is done and I have read what I read.  It was a year fraught with turmoil in science fiction, a year prompting reassessments, a year when required reading competed with reading for pleasure, and the time constraints of working on a new novel (two, in fact) impeded chipping away at my to-be-read pile, which mounds higher. As in the past, I count only books I have read cover to cover here.  If I added in total pages of unfinished reading, I’m probably up with my usual volume (somewhere around 90 books), but that would be a cheat.  That said, I read 50 books in 2015. One thing I concluded, both from what I read and the upheaval in the background about what is or is not worthy science fiction, is that the decades long pseudowar between mainstream and genre is over.  Skirmishes will continue to be fought here and there, certain elements will refuse to yield or concede, but

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Across Boundaries

Ray Nayler’s novel, The Mountain In The Sea, is a superb example of asking a simple question and then exploring the ramifications at length. The question? What is intelligence and how would we recognize it in other species? The novel concerns the discovery of an octopus species that exhibits the kind of behavior till now deemed impossible—unlikely at best—given the nature of octopus biology. Dr. Ha Nguyen accepts an invitation from the head of a global corporation to come to an isolated island in the Ho Chi Minh Autonomous Trade Zone, Con Dao, to study an anomaly. Con Dao is a protected area, cordoned off by advanced defensive systems to keep predators—human—from coming in and wiping out the ocean life in aggressive sea farming. On Con Dao she meets two people with extraordinary capacities, one an android, the other barely human after a life of harsh conflict. The android, Kamran, is the only one of its kind, a remarkable construct

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…Behind Door Number…

After viewing Ex Machina I sat in a bit of a daze wondering what it was I’d just seen.  Stylish, well-acted, the now-expected seamless special effects, and a story with pretensions to significance. The next day, I spoke to a good friend about it, who has also written about its flaws, and came to the conclusion that the film is not at all what it seems to want to be. In fact, it may be the perfect demonstration of style over substance. It would be easy to see the film as a misogynistic attempt to intellectualize adolescent cluelessness, and certainly there is that in it, but perhaps that doesn’t go far enough.  Misanthropic may be more accurate.  It has nothing good to say about anyone or anything.  The chopper pilot may be innocent, he’s just doing his job, but once Caleb lands and approaches the isolated superhouse of his employer, Nathan, sympathy for anything human vanishes and we’re treated to

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The Problems With Going Farther

Kim Stanley Robinson has built a body of work which, after the polish and sophistication of the surface ceases dazzling, is solidly in the tradition of What If fiction which is supposedly the hallmark of science fiction. Large-scale What If, to be sure, which allows for the examination of development of the minutiae of his subjects in exhaustive detail.  One of the chief pleasures of a Robinson novel is exactly this level of detail.  The bolts are all there, the seams spliced with precision, the pieces and parts fit together as they should. Or as they should if the scenarios depicted were actually undertaken.  At least, that’s the idea, to provide a level of verisimilitude sufficient for a vicariously “authentic” experience of… What would have happened in Europe had the Black Death not stopped when it did?  What would it be like to really terraform Mars?  What happens when population keeps expanding and technology keeps trying to keep pace? All

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Moral Crisis and The Reality of God: Mary Doria Russell’s The Sparrow

Sometimes it is very much worth the wait before reading certain books.  Too early an exposure and the substance could be misapprehended, misinterpreted, misconstrued, or simply missed. Such, I feel, is the case with Mary Doria Russell’s superb The Sparrow, which came out in 1996. I bought a copy shortly after it appeared in paperback and it has remained, unread, on my shelf since. Until this month. Why? I don’t know, really. I started it a few times and something in the opening pages either left me unengaged or daunted. Whatever the reason, it waited till this year, and perhaps that was as it should be. I knew enough about the novel to tell people that it is a natural successor to James Blish’s excellent novella, A Case of Conscience, which has many of the same elements. A Jesuit as member of a first contact mission to an alien world and the moral conundrum arising from certain inevitable questions.  Interestingly,

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Easy Habits and the Consequences of Belief

At first glance, the two books could not be more different. Subject, tone, everything seems different. Not at odds so much as…nonoverlapping. Which is ironic, since both deal, in their separate ways, with that very idea, the separation of areas of knowing. Probably because I read them so close together I recognized their shared concerns as clearly as I did. Whatever the reason, it struck me as obvious in so many ways that I began to recall all the other books over the last few years that could be likewise gathered within this same subset, all on distinct topics and yet all based on, to some degree, an analysis of the same human propensity to disregard evidence when it contradicts belief. Let me begin with the more general of the two. Jerry A. Coyne is an evolutionary biologist.  Compared to others with public profiles, he has published few books.  Three, to be precise.  His latest, Faith Vs. Fact: Why Science

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Traditions and New Eyes

I recently finished rereading a book from last year, preparing to read the sequel. I should cop to the fact that my reading has rarely been what you might call “timely” and I’ve gotten worse over the last several years.  When I wrote reviews for actual pay this was not as much a problem, because I had to read current material.  But left to my own devices, I pick and choose from my to-be-read pile at random, pretty much the way I buy books to begin with.  So I might read an old Agatha Christie concurrently with a newer physics tome by Kip Thorne after having finished a very new history of the sinking of the Lusitania, then pick up a newish novel while at the same time rereading some Ted Sturgeon… So it goes. So I am very much “behind” almost all the time.  I served as a judge for the PKD Award one year and managed to read

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Motives and Revelations

There is a remarkable scene—one of many—in James Morrow’s new novel, Galapagos Regained, wherein the final straw is broken for Charles Darwin and we are shown the moment he decided to back his radical new view of nature and its processes. Wholly fictional, no doubt, yet based on reality, Darwin has come to London to confront a young woman who has betrayed his trust while working in his household. The confrontation with the fictional Chloe Bathhurst is not the one that matters.  Rather, it is the confrontation Darwin is having with the edifice of a loving god.  His daughter is dying—tuberculosis—and the scientist in him knows there is nothing to be done, that an indifferent nature cares nothing for her goodness, her innocence, and any human claim on justice and fairness is but the empty babblings of a minor species only recently transcendent upon the ancient stage of life.  Darwin is angry and resentful.  The transgressions which resulted in his

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